Phrygian mode
- Phrygian mode所屬的單詞分類(lèi)
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Musical Theory / 樂(lè)理 [176]
ritard · minor third · melodic minor · harmonic minor · harmonic major · whole tone scale · whole rest · tenuto · subito · sempre
- 更多網(wǎng)絡(luò)例句與Phrygian mode相關(guān)的網(wǎng)絡(luò)例句 [注：此內(nèi)容來(lái)源于網(wǎng)絡(luò)，僅供參考]
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According to guitarist Manolo Sanlúcar , in this flamenco Phrygian mode, E is the tonic , F would take the harmonic function of dominant , while Am and G assume the functions of subdominant and mediant respectively.
根據(jù)吉他家 Manolo Sanlúcar 的說(shuō)法激情无码国产一区二区，在這一弗拉門(mén)戈弗利基亞調(diào)式中， E 是主音A,黄片免费视频， F 發(fā)揮了屬音的和聲作用，而 Am 和 G 則分別起到了下屬音和中音的作用亚洲精品专区999。
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When playing in Phrygian mode, guitarists traditionally use only two basic positions for the tonic chord: E and A.
在演奏弗利基亞調(diào)式的時(shí)候日韩午夜在线试看网站视频，吉他演奏者傳統(tǒng)上在主和弦上使用兩個(gè)基本音位： E 和 A 。
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Guitar introductions are in Phrygian mode, while the singing develops in major mode, modulating to Phrygian mode at the end of the stanza. Rossy 1998:92
吉他演奏引入的是弗利基亞調(diào)式亚洲天堂伊人网，而演唱?jiǎng)t發(fā)展成大調(diào)調(diào)式黄片一区二区三级，在小節(jié)最后轉(zhuǎn)調(diào)成弗利基亞調(diào)式（ Rossy 1998：92）。
- 更多網(wǎng)絡(luò)解釋與Phrygian mode相關(guān)的網(wǎng)絡(luò)解釋 [注：此內(nèi)容來(lái)源于網(wǎng)絡(luò)日本人人射，僅供參考]
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Phrygian mode：弗里吉亞調(diào)式
"弗里吉亞終止","Phrygian cadence" | "弗里吉亞調(diào)式","Phrygian mode" | "弗里吉亞音階","Phrygian scale"