In the first chapter, author pointed out the three most importantproblems on the current analysis of figure in the existing piano extemporization improvisation books. The first problem is that it lacks of in-depth analysis on the fundamental theory on the figure of piano accompaniment improvisation.

本文第一章99九九精品这里只有精品99，筆者通過對(duì)現(xiàn)有鋼琴即興伴奏文獻(xiàn)中有關(guān)伴奏音型部分的研究與分析欧美少妇一级黄片，提出了目前存在的三個(gè)重要問題免费费黄色真人视频。

Currently among all kinds of books on piano extemporization improvisation, the whole music playing structure is the most concerned, but it still lacks of the in-depth analysis in theory. Especially regarding to the theory on figure of accompaniment, most people are still focusing on the several fundamental forms and seldom go deep into the disciplinarians that could developing the playing skills to upper level.

而目前在鋼琴即興伴奏方面的書籍中亚洲午夜精品高潮影院，注重整體配彈的較多午夜理理伦，但缺乏深入細(xì)致的理論研究在线观看韩国AV小黄片，特別是關(guān)于伴奏音型的論述，大多停留在幾種基本的形態(tài)上黄a视频全免费在线观看，很少有對(duì)伴奏音型的拓展進(jìn)行深入的研究亚洲性爱视频网站。

At the same time, the theory on the overall design, applications of the figure of accompaniment, and factors on affecting art practice is also not enough.

同時(shí)，對(duì)伴奏音型的整體設(shè)計(jì)和應(yīng)用方法以及藝術(shù)實(shí)踐中的制約因素等的論述也不夠午夜福利国产精品久久超碰。

In chapter two, in order to solve the problems mentioned in Chapter one, author did thorough analysis on the evolvements of figure of accompaniment based on its fundamental methods.

本文第二章国内自拍视频在线播放，為了解決第一個(gè)問題，筆者以伴奏音型的基本形態(tài)為基點(diǎn)對(duì)伴奏音型的拓展進(jìn)行了深入研究日本AAAA三级片。

The second is that the design of figure should consider more on the combination of theory and actual practice. The third problem is that analysis on the factors of affecting application of the figure of piano accompaniment improvisation is not so richness.

一是對(duì)于伴奏音型基本理論研究不夠好男人社区WWW在线资源，二是對(duì)音型的設(shè)計(jì)缺乏理論與實(shí)踐的結(jié)合，三是很少研究音樂實(shí)踐中伴奏音型運(yùn)用時(shí)的制約因素亚州日韩制服丝袜图片。