New ideas this dissertation brings forth are as follows: 1 in the history technological cultures, man stepped into the technological epoch twice; 2 in ancient times, technology and poetry bore cognateness and identity; 3 discourse paradigms and value systems about poetry and technology of ancient China are first reconstructed; 4 the recognizable paradox and absurdity are first articulated when ancients combine simplicity, beauty and technology into one; and 5 the Taoist thinking on crime and punishment in the technological era is systematically combed out, and Zhuang Zi's metaphor about the death of muddiness is therefore interpreted.

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