James Taylor talks about his beginnings as an innocent folkie.

詹姆斯·泰勒講起了自己作為一名純樸民謠歌手出道時(shí)的經(jīng)歷。

S about his beginnings as an innocent folkie.

詹姆斯·泰勒講起了自己作為一名純樸民謠歌手出道時(shí)的經(jīng)歷91短视频在线。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

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A contemporary folkie renowned for her expressive, crystalline voice, singer/songwriter Jewel was among the most successful of the many new female performers who dominated the pop charts throughout the 1990s.

因?yàn)樗龔?qiáng)烈的表現(xiàn)力以及水晶般透明的嗓音而著名的當(dāng)代民歌歌手/作詞家Jewel是90年代流行樂(lè)壇占優(yōu)勢(shì)地位的一位女藝人26uuu亚洲欧美动漫。

Kaneda, Gilbert - Though some expect an acoustic guitar wielding singer-songwriter to be a folkie, Gilbert Kaneda's tough as nine inch nails acoustic alternative rock defies such tired conventions.

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folkie：民謠歌手

folk-rock 搖滾民謠 | folkie 民謠歌手 | folkland 國(guó)民有地