Out of a friendship, or an ignorantness?

出于一份友情女生被男生操的黄色网站，還是一份懵懂www,国产原创Com。？

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

為了營造這個虛擬舞臺，張藝謀影片中的采用了時間的滯后性策略国产日韩欧美色另类，影片中的故事本文時間均選擇了過去：十九世紀三十免费的黄色网站能看A片、四十年代，抗戰(zhàn)前期女性自慰A级毛片，六七十年代三级黄,色；影片中的本文空間均選擇了遠離文化中心的邊緣地帶，通過時間的滯后策略和空間的邊緣策略來滿足一個停滯的、凝固的色e网、靜止的落后而由愚昧野蠻的中國傳統(tǒng)文化語境国产乱子露脸久久；將處于社會邊緣的女性放置在其中，利用觀眾位置的雙重性認同結(jié)構(gòu)日本jizzjizz，巧妙利用女性這一表層可見視覺中心和讀解影片時意義漸隱的策略來遮掩和移位其真正的作者意識形態(tài)：即重復再一次對女性的觀看无码操人视频，滿足東西方男性的窺視欲望。