The subheading of the exhibition is "In the name of Ink-and-wash", which contains two aims: first, we hope the artists who don't use ink-and-wash as their vehicle of artistic expression such as those engaged in installation art, video art and sculpture will absorb some elements from traditional Ink-and-wash and other traditional resources; the second is to promote conversion and continuation of Ink-and-wash as a type of painting, thus it can pursue a new possibility in the contemporary era.

展覽的副標(biāo)題叫"以水墨的名義"国产口爆视频，這里面包含有兩個目標(biāo)：首先是希望從事水墨以外媒介創(chuàng)作的藝術(shù)家——比如說從事裝置日韩欧美一区中文字母视频、影像、油畫免费网站看av片在线观看、雕塑的藝術(shù)家在线看羞羞视频，能從傳統(tǒng)水墨或其他傳統(tǒng)資源里吸收元素；其次是促進(jìn)水墨畫這個畫種自身的轉(zhuǎn)換與延續(xù)欧美xxxx极品第一视角，使它能夠面對當(dāng)代久久久久久免费大片，去尋求一種新的可能性。

Product fault ink UN-uniform UN-uniform ink products were:(1) water and ink, ink and wash painting the rubber roll version of wear, spindle bearing wear, cots epiderm aging decline, ink, etc;(2) series water roll of layer debranning, cylindricity wear, a thin layer of shoulderpieces for intergradle monlchamus, a product of long a portion of the Ribbon, resulting in a roller 躒 movement oscillating anisotropism;(3) support by Edition of water, rollers, the cylinder, swayig stand, wear, resulting in version tiaodong Cot by cause pressure by version is unstable, produce ink imbalance, ink, ink plate, staves, relying on the old version (students'overloaded) version of COTS and pressure;(4) the water roll chemiluminscent set of aging or poor quality water decline caused by transmission;(5) does not have a regular check of the drum-and-ink roller and version by version-and-ink roller and pressures;(6) if the drum gear wear, and gear spacing is the same as the regular ink "" gear.

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The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"色诱久久av无码电影网站、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的論述方式是：立足于色彩繪畫，分別從&色彩&欧美精品黑人性XXXXWWW、&水墨&兩個角度出發(fā)91香蕉国产在线观看人员青，先對它們在中國古代畫史論著中作一考證；分析隋唐時期&色彩&繪畫是如何從體制的成熟性爱一级、完備而走上&失落&的道路超碰人人免费人妻；著重分析色彩繪畫中心&失落&亦即&水墨之變&的原由；及其在被水墨&替代&后與&水墨&結(jié)合国产每日、衍變的重建之途在线A级网站。

ink and wash drawing：水墨

hydria 水罐 | ink and wash drawing 水墨 | installation 裝置

Chinese ink and wash：中國水墨畫

Chinese imitation antique carpet 中國仿古地毯 | Chinese ink and wash 中國水墨畫 | Chinese ink box 墨盒

Chinese ink and wash：意境顯現(xiàn)

水墨黑白:White and black of wash ink | 意境顯現(xiàn):Chinese ink and wash | 水墨語言:painting ink and wash