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他太像唐璜一類的人物黄网站无码男人免费大全，不會經(jīng)常只和一個女朋友約會的国产在线观看美乳AV。

Serious interpretation stick by historical fact, construct the scenario with inner historical contradiction, shape the event and historical character. Playful interpretation has a jocosity style and seldom stick by historical fact,(以后現(xiàn)代式無深度戲仿消解歷史,并以此形成事件核心和模式化的人物形象;)Dissociated between these two styles is sub-serious interpretation, reconstructure history with fabled drama conflict, and shape the event and dramatized character.

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The novel "Bailu Yuan" is successful in transcending the traditional syllogistic principles of narration into the aesthetic syllogism. The syllogism in image building has shaped lively figures in the development of the story, displaying their complex characters and excavating the tragic meaning of their fates. The syllogism in plot development has strengthened the readability of the novel through depicting rich and co...

白鹿原》成功地將傳統(tǒng)故事敘事三段原理創(chuàng)化為審美三段論：人物塑造三段論在發(fā)展中塑造了鮮活的人物形象新超碰免费男人网站，展示出復(fù)雜的人物性格亚洲日本欧美理论片在线观看，挖掘出人物命運(yùn)的悲劇意義；情節(jié)演進(jìn)三段論通過豐富復(fù)雜的意象情節(jié)變化強(qiáng)化了作品的可讀性成年人在线网站观看播放视频，探尋到人物的心路走向456网站，展示出廣闊的社會生活和歷史真實(shí)；主題意蘊(yùn)三段論在社會事物的互動發(fā)展中揭示了民族文化心理的演變軌跡欧美熟女另类，反思和建構(gòu)了民族文化人人做,人人操,人人性爱。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于電影文學(xué)劇本獨(dú)特的語言表達(dá)方式，其在人物塑造上具有不同于小說国产精品区最新视频、戲劇的特點(diǎn)国产盗摄一区。1940年代后半期電影劇作者高度重視電影文學(xué)劇本中人物形象的塑造，運(yùn)用電影化的思維方式來刻畫人物网址在线观看国产日韩视频，依托人物性格的發(fā)展來展開故事日韩乱伦字幕中文一区，使得這時期電影文學(xué)劇本在引人入勝的故事書寫中，繪就出了一長串內(nèi)涵豐富不要快播的黄色网站、形象生動色色色五月天久鬼久、有血有肉的人物群。1940年代后半期電影文學(xué)劇本既順應(yīng)著中國現(xiàn)代文學(xué)的歷史進(jìn)程91亚洲福利，又呼應(yīng)著動蕩巨變的時代大潮偷拍福利视频网站，無論是側(cè)重社會批判意識的，還是傾向人文關(guān)懷意識的韩国无码理论，其思想性或方向性是非常明確的free性video丝袜极品，但這種&方向性&的表達(dá)和訴求既不是概念性的，也不是生硬的灌輸欧美日韩午夜福利大片在线播放，而是&具體形象&的久久无码精品国产，是&隱寓&文本之中，在故事情節(jié)發(fā)展和人物性格塑造之中自然而然地流露出來的久久伊人色综合中文字幕，可以說是&風(fēng)行水上骚虎视频在线观看，自然成紋&，呈現(xiàn)出高超的藝術(shù)技藝和水準(zhǔn)久操精品视频网。

Forst divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.

福斯特把人物劃分為兩類暴操学污在线免费观看视频，扁平型人物和圓型人物。扁平型人物往往缺乏個人化的細(xì)節(jié)描寫而圓型人物則在性格和行為動機(jī)上較為復(fù)雜日本亚洲欧洲精品A片久久。

Go up from the character " dazzle dance " the person that had a kind of king is temperamental, the character of real department lets a player more era is entered feeling, cooperate diversiform fashionable clothing again, the player is completely OK the character with a medium game regards him as, those who accomplish actual figure and empty personification thing close and be one.

從人物上《炫舞吧》就具備了一種王者氣質(zhì)国产A∨丝袜美腿丝袜视频，真實(shí)系的人物讓玩家更有代入感，再配合多樣的時尚服裝亚洲欧美vr色区，玩家完全可以把游戲中的人物看成是自己99re视频这里只有精品，做到真實(shí)人物與虛擬人物的合而為一。

The author depainted some lifelike character, because he was familiar with these character\'s prototype.

紅樓夢》是以作者真實(shí)生活為原型的自敘性小說，作者之所以描寫出不少個性鮮明的典型人物先黄色网站在线观看，是因?yàn)樗麑?strong>人物原型的熟悉與理解国产男人资源在线观看网站免费视频，能夠同情人物的處境，理解人物的情感18福利午夜福利视频少妇，客觀上擺脫了當(dāng)時社會道德對個體的要求免费观看黄色的视频在线看，真實(shí)展現(xiàn)了人物豐富復(fù)雜的內(nèi)心情感世界，從而在這些個性鮮明的人物身上體現(xiàn)出真實(shí)的人性A片免费网站一区二区，達(dá)到了寫實(shí)主義要求的典型人物91主播。

This article will be divided into three parts:The reality of all types of people survive the situation wiil be divied into characters in village , between urban and rural areas and city that including farmers, workers, intellectuals, cadres, as well as cities and towns city five types of people will be analysed in the first part. We will find the main features of all types of personalities living conditions and explore the reasons for the forma...

本文擬以分為三個部分：第一部分將分析各類人物的現(xiàn)實(shí)生存處境，按照不同人物的不同地域范圍分為三大類型：鄉(xiāng)村人物福利免费试看、城鄉(xiāng)之間的人物和城市中的人物90人人操人人干，共包括農(nóng)民、打工者欧美亚洲另类图片、知識分子99思思视频、城鎮(zhèn)干部以及城市人五個群體，從各類人物生存狀況的主要的特點(diǎn)進(jìn)行分析草草影院欧美一区，并附帶探討人物的生存處境的形成的原因不卡免费黄色小视频。

Except the foreword, this paper is divided into four chpaters:Chapter One: the common vivid featrues of dramatic personae in the phyletic biography of people in Shiji. The charater accords with the described methods, it has the obvious feature of kindred, It leans to the type of the figural creation in our country's later gerneration novels.Chapter Tw phyletic biography of people not extrudes the common featrue of drmatic personae but also emphersizes the personality description. The figural creation turns personal description from typical description gradually in the later generation novels, although the same typical charaters have the differnt lookings.Chapter Three: phyletic biography of people stands out the charaters with the typical events, the same charater can appears the differnt phyletic biography of people, it shows the differnt features (This is the commuteritive incarnate in Shiji). The later generation novels figure the charaters with their action, the same character lean to the differnt points, they show their differnt characteristics.Chapter Four: phyletic biography of people has the multiform modality, it includes paratactic description, coherend interclude, cascade rising and so on. The later generation novels use for reference the paratactic in the arrange of polt structure.

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The existential characteristics of characters self-created or other-created could be found in the epistolary novel s with the study of the narrative type concerning the existential pattern of characters and their relationship.

從人物的存在方式及人物關(guān)系等角度研究書信體小說人物的敘事類型，可以發(fā)現(xiàn)書信體小說人物具有自造性和他造性的存在特征，由此形成自造性人物和他造性人物日韩免费在线视频。

character sketch：對某人或某一型人物特性之簡短文學(xué)特寫,人物速寫

character size | 字符尺度 | character sketch | 對某人或某一型人物特性之簡短文學(xué)特寫,人物速寫 | character skew | 字符歪斜

On Round and Flat Character: a Case Study of：淺議扁平人物及圓形人物:以《愛麗絲漫游仙境》為例

Genre Analysis of Fairy Tales: Norms and Varia... | On Round and Flat Character: a Case Study of 淺議扁平人物及圓形人物:以>為例 | Genre Analysis of Epistolary Novels: a Case Study of 關(guān)...

dramatis personae：劇中人物,登場人物,演員表,劇中人物表

dramatic unities (歐戲劇洲古典主義戲劇的)三一律 | dramatis personae 劇中人物,登場人物,演員表,劇中人物表 | dramatist 劇作家,編劇,劇本作者

front man：掛名人物, 出面人物(常指非法活動); 叫喊招攬觀眾的人

Every man to his taste. [諺]百人吃百味; 人各有所好. | front man 掛名人物, 出面人物(常指非法活動); 叫喊招攬觀眾的人 | Give every man the ear, but few the voice. [諺]多聽少說.

UP FY：人物反應(yīng)上限(轉(zhuǎn)值后會上升,最高到

00 00 UP LL 人物力量上限(轉(zhuǎn)值后會上升,最高到9999999) | 00 00 UP FY 人物反應(yīng)上限(轉(zhuǎn)值后會上升,最高到9999999) | 00 00 UP JS 人物精神上限(轉(zhuǎn)值后會上升,最高到9999999)

lambert:half：半人物發(fā)光

lambert:full 完整人物發(fā)光 | lambert:half 半人物發(fā)光 | lambert:yellow 人物發(fā)黃光

a man of straw：稻草人;(在非法交易或訴訟中代人出面)掛名人物, 傀儡人物(一般為

a man of sense 通情達(dá)理的人 | a man of straw 稻草人;(在非法交易或訴訟中代人出面)掛名人物, 傀儡人物(一般為 | a man of talent 有才能 的人

Nara Shikamaru：最悲觀的人物:奈良鹿丸

最偉大的人物:李洛克 Rock Lee | 最悲觀的人物:奈良鹿丸 Nara Shikamaru | 最聰明的人物:奈良鹿丸 Nara Shikamaru

Nara Shikamaru：最聰明的人物:奈良鹿丸

最悲觀的人物:奈良鹿丸 Nara Shikamaru | 最聰明的人物:奈良鹿丸 Nara Shikamaru | 最高貴的人物:宇智波鼬 Uchiha Itachi

Realive：將死亡的人物復(fù)活

@Kill? 將指定的人物殺死 | @Realive 將死亡的人物復(fù)活 | @Setpermission 設(shè)置人物的游戲權(quán)限,可將普通人物提升為GM