The chapter describes the state owned commercial bank current situation, the key issues faced, pointing out the shortage of property right system, management system, organization system, badness assets and capital abundance ratio, etc., drawing the conclusion that the stock systematic reform is the outlet of state owned commercial bank reform.

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That is to say, we could draw a conclusion through the comparison of different editions of drum words of Two Degrees Plum in Qing Dynasty Republic of China with the form, content and thought of novel, and the comparison of the form, content and thought with different editions of drum words. Our conclusion is that different type of edition of the drum words in latter Qing Dynasty times, which basically followed the traditional modes of past drum words from the formality, but the ideological content could directly reflect the vicissitudes of society and idea at that time with the times changed. The different types of texts of drum words had directly reflected the traditional entertainment involving talking and singing entertainer's thoughts (they represented the first floor people's thoughts at that time), and also had directly reflected the common and popular writers'thoughts from their adaptions(they represented at that time one kind of residential social stratum thought which increased sharply along with city expanded and resident social stratum population produced, and this thought also referred to one kind of thought after the chromolithography had entered into China in latter Qing dynasty, cultural printing propagation velocity sped up and drum words gradually became the ordinary resident's table-top reading material).This kind of thought produced along with the social vicissitudes, also impelled the entire society's forward development and the progress from the science and technology and the cultural domain.

本文即是對(duì)《二度梅》小說故事被改編為鼓詞的文本進(jìn)行研究的一篇論文老熟女AV午夜，即通過對(duì)現(xiàn)存的清代民國《二度梅》鼓詞的不同類型的版本與小說形式黄色视频在线观看com、內(nèi)容、思想之間的比較欧美性爱视频一区在线观看，鼓詞與鼓詞不同類型版本之間的形式孕妇三级片在线观看、內(nèi)容、思想之間的比較欧美激情2，來闡述出一個(gè)結(jié)論，就是晚清時(shí)期的不同類型的鼓詞版本毛片国产一国产AN毛片，從形式上基本仍然沿襲了過去鼓詞的傳統(tǒng)模式日韩高清第一页，但內(nèi)容思想上則隨著時(shí)代變化而能夠更直接地反映著當(dāng)時(shí)的社會(huì)思想變遷国产乱交视频在线，鼓詞不同類型的版本文本直接反映了說唱藝人的思想(他們代表的是當(dāng)時(shí)底層民眾的思想)，也直接反映了文人改編鼓詞的普通俗文人思想(他們代表了當(dāng)時(shí)隨著城市的擴(kuò)大市民階層人數(shù)的激增而產(chǎn)生的一種市民階層的思想毛片三A级无码AV一区久久久，當(dāng)然這種思想也是指晚清石印術(shù)進(jìn)入中國后文化印刷傳播速度加快亚欧美福利一区二区三区，鼓詞逐漸成為普通市民的案頭讀物后而產(chǎn)生的一種思想來說的)，正是這種隨著社會(huì)變遷產(chǎn)生的思想性欧美XXXX18HD视频，又從科技和文化領(lǐng)域推動(dòng)了整個(gè)社會(huì)的向前發(fā)展和進(jìn)步1000部国产怕怕怕精品。

Some thought-provoking questions about this phenomenon include: was these artists' understanding of the "Orientalist" strain of Western art limited to emulating its form?

令人深思的是這些畫家們對(duì)西方此一藝術(shù)表現(xiàn)思潮之了解是止於形式上的模仿国产精品免费无码久久四虎，或是能夠深入其文化上的意涵？亦即他們所作的只是形式上的置換而已亚洲欧美激情小说，或是文化上的換喻。

As such, this paper focused on the pioneer experiment of "the Mark on the Wall" in its text form, and its underlying origin and groundbreaking significance from the following aspects: First, the article dealt with the pioneer experiment of "the Mark on the Wall" in its text form, which will be manifested mainly in three aspects: that is the plotlessness of its content, the variousness of its Style, as well as the network structure formed by two types of time; Then, the article discussed the underlying origin behind the experimental text form of "the Mark on the Wall", there are two main aspects: namely, the generation of "the Mark on the Wall" is not accidental, but is of close relation with Virginia Woolfs resentment to the text form of the traditional novels and her exploration in the new novel forms.

首先国产极品黄色，文章論述了《墻上的斑點(diǎn)》在藝術(shù)形式上的先鋒實(shí)驗(yàn)性免费人成在线观看网站可下载，其主要體現(xiàn)在三個(gè)方面：即內(nèi)在無情節(jié)性、文體形式的綜合化可以免费在线观看的黄色视频的网站、以及由兩種時(shí)間構(gòu)筑的網(wǎng)狀結(jié)構(gòu)91免费a视频。接著，文章探討了《墻上的斑點(diǎn)》文本形式實(shí)驗(yàn)背后的深層根源插一插视频，主要有兩個(gè)方面：即：《墻上的斑點(diǎn)》的產(chǎn)生不是偶然的成年人网站大全，而是與弗吉尼亞·伍爾夫?qū)鹘y(tǒng)小說藝術(shù)形式的不滿和對(duì)新小說藝術(shù)形式的探索緊密相連的国产成本人h动漫无码亚洲3D。

You will understand what I mean by COMPLEXITYby noting these three aspects. Firstly, it refers tothe complexity in form. When CAD becameinvolved in the design process Architect's wereenabled with a higher level of control over evermore complex geometry. Consequently it canand will generate infinite possibilities in the futurefor form finding, which has shifted in emphasis asa more logical design process based onsystematic theories away from intuitive designtechniques. Secondly, it illustrates our growingsocial complexity. As technologies allow peopleto send and receive more information than before,in ever shorter time frames, the function ofarchitecture and urban space will increasinglybecoming ambiguous. Emergent, adaptive andtransformable spaces are replacing limitedfunction spaces gradually. Even a single spacewould afford more potential functions. Lastly, Iam referring to the complexity of collective design team organizations working on different projects.The fact is that our social work division is moreintricate and variegated today; Architects mustby necessity negotiate with governmentalauthorities, material suppliers, engineeringconsultants, quantity surveyor, contractors,planning authorities, landscape architects, interiordesigners, acoustical engineers, et cetera besidesjust our clients. Meanwhile, projects and designteams tend now to be a globally dispersednetwork. All of these things are challenging theconventional architectural practice, it'sorganization, and administration significantly.

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On the basis Of he Systematic i.stwition and MIS Of the M PeM＼PM55g d and psyCholgical qUalities and iving habaits,the pper conluds and studies the Pres .nt.idential Ms of oe M peopk M.一;b.」.t［,.w to t［ cllrrelli sit.non in oina,M ppr put b＊S5M i.＊COnM on the suit」e ho mo6d…5r1eM5y55＊s1g on su46as＊ pM,——.sny一,sw,s1.s,——4一,一N… and devefopng forms Of he!lying qUarterS.

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In contrast, trans-formationin the general sense tends to stick to the form of the original work, thus possibly failing in having not transformed itself from the latter and tendentiously confining itself within the form, to the result that it is to some extent represented in an imitation of the original.

而一般意義上的改編(來源：ABC論文e8網(wǎng)www.abclunwen.com)国产精品视频免费在线，則由于可能未及從原作之形&化&出，或過分拘泥于原文本的形式上的因素97影院亚洲无码，或局限于小說的藝術(shù)特性，因而或許只能做到&轉(zhuǎn)換&，即某種意義上的對(duì)原作形式上的摹仿。

With further understanding and recognition in art, her painting style was changed continuously, especially breakthrough on artistic method and expressive forms. In 2005, Marta left Spain for Shanghai and was attracted by the purity of the Chinese traditional culture and traditional building materials. On the basis of the original artistic language, she was trying to integrate the Western and Chinese drawing language in terms of the expressive form. Generally, She planned models after modeling language of Western oil painting. Then, she pasted or collaged the traditional materials such as pearl, silk and knitting cloth on the drawing board.

隨著對(duì)藝術(shù)的進(jìn)一步理解和認(rèn)知亚洲日韩一区在线，她的繪畫風(fēng)格不斷演變，尤其在藝術(shù)手法和表現(xiàn)形式上的突破一级黄毛片4466网站。2005年XX网站在线，Marta從西班牙來到了上海，被中國傳統(tǒng)文化的純粹性和傳統(tǒng)物質(zhì)材料所吸引青春草视频网站，在原有藝術(shù)語言的基礎(chǔ)上综合九九色，她試圖在表現(xiàn)形式方面將中西方的繪畫語言有意進(jìn)行鏈接，她通常先用西方油畫的造型語言塑型欧美一区精品在线观看，然后將中國一些傳統(tǒng)材料如珍珠、絲綢、針織布料等在畫面上進(jìn)行粘貼和拼貼。

Chapters IV and V encompass the content of creation, expression forms, and work appreciation, where the chapter focuses on applying the innovative "Leaf grain glazing", utilizing the research techniques and firing experiment findings, in the format and content of the creation, with the study categories in the work expression encompassing the expression of leaf pattern glazing, integration of leaf pattern glazing and painting, pottery installations, and the adaptation of pottery installation and multimedia medium.

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Thomas Aquinas summarized the form ideas of ancient Greek and Middle Ages, and made a systematic exposition on the three elements of aesthetics ( integrity , proportion and splendor).

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formally：形式上

formal 形式的 | formally 形式上 | hypothetical 假定

formally：正式地/拘泥禮儀/形式上/拘束地

formalize /使正式/使整形/形式化/拘泥形式/ | formally /正式地/拘泥禮儀/形式上/拘束地/ | formamyl /氨基甲跖访狼荆基/

formally equivalent：形式上相等

formalized meaning 形式化的意義 | formally equivalent 形式上相等 | formant amplitude 共振峰振幅

have got：形式上是現(xiàn)在完成時(shí),卻和have是同一個(gè)意思

3. have got的含義 | have got形式上是現(xiàn)在完成時(shí),卻和have是同一個(gè)意思 | She has got a slight temperature. She has a slight temperature.她有點(diǎn)發(fā)燒.

in form：在形式上

同時(shí)也觀察到耶穌的解經(jīng)法與當(dāng)時(shí)猶太人的解經(jīng)法在形式上(in form)有許多相似之處. 雖然末世性解經(jīng)在形式上相似,但是內(nèi)容(content)卻不全相同;耶穌是要指明衪就是那位彌賽亞. 今日基督教同樣地接受七十士譯本為正典. 在末世論的解釋上,

in form：形式上

Williamson)所作的研究告訴我們,希伯來書和斐羅的相似之處是形式上(in form)的,而非觀念/內(nèi)容上(contents)的. 也認(rèn)為形式上的相似是因?yàn)橄２畞頃髡吆挽沉_同樣是處在同一個(gè)(亞歷山大城)背景中. (注十四)另外,

in form：形式上, 情況良好

for form 's sake form 形式上 | in form 形式上, 情況良好 | in due form 正式的, 按照規(guī)定的格式

It is a matter of form：形式上的手續(xù);例行公事;禮節(jié)問題

Liu Xiang was out of form in the Olympic Games. 劉翔在奧運(yùn)會(huì)時(shí)狀態(tài)不好. | It is a matter of form.形式上的手續(xù);例行公事;禮節(jié)問題 | 1)The path winds through the woods. 這條路蜿蜒穿過樹林.

Proforma：形式上(的)

profondometer 深部異物定位器 | proforma 形式上(的) | proforma invoice 形式發(fā)票

pro forma balance sheet：形式上的資產(chǎn)負(fù)債表

Break Even Analysis 盈虧平衡分析 | Pro Forma Balance Sheet 形式上的資產(chǎn)負(fù)債表 | Pro Forma Income Statement 形式上的收入報(bào)表