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四免费视频一区操。借助廣義δ函數(shù)，首次提出了離散型分布失效率函數(shù)的一種新的定義国产精品一区二区女厕，這種定義使離散型分布與連續(xù)型分布的失效率函數(shù)定義在形式上得到統(tǒng)一av网页在线观看啦，這種形式上的統(tǒng)一使得離散型壽命分布中各特征函數(shù)之間的關(guān)系與連續(xù)型壽命分布中各特征函數(shù)之間的關(guān)系完全相同午夜5060国产一级A片。

Some thought-provoking questions about this phenomenon include: was these artists' understanding of the "Orientalist" strain of Western art limited to emulating its form?

令人深思的是這些畫家們對西方此一藝術(shù)表現(xiàn)思潮之了解是止於形式上的模仿，或是能夠深入其文化上的意涵99久久久精品免费人妖？亦即他們所作的只是形式上的置換而已，或是文化上的換喻AV网站在线观看不卡无码。

As such, this paper focused on the pioneer experiment of "the Mark on the Wall" in its text form, and its underlying origin and groundbreaking significance from the following aspects: First, the article dealt with the pioneer experiment of "the Mark on the Wall" in its text form, which will be manifested mainly in three aspects: that is the plotlessness of its content, the variousness of its Style, as well as the network structure formed by two types of time; Then, the article discussed the underlying origin behind the experimental text form of "the Mark on the Wall", there are two main aspects: namely, the generation of "the Mark on the Wall" is not accidental, but is of close relation with Virginia Woolfs resentment to the text form of the traditional novels and her exploration in the new novel forms.

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You will understand what I mean by COMPLEXITYby noting these three aspects. Firstly, it refers tothe complexity in form. When CAD becameinvolved in the design process Architect's wereenabled with a higher level of control over evermore complex geometry. Consequently it canand will generate infinite possibilities in the futurefor form finding, which has shifted in emphasis asa more logical design process based onsystematic theories away from intuitive designtechniques. Secondly, it illustrates our growingsocial complexity. As technologies allow peopleto send and receive more information than before,in ever shorter time frames, the function ofarchitecture and urban space will increasinglybecoming ambiguous. Emergent, adaptive andtransformable spaces are replacing limitedfunction spaces gradually. Even a single spacewould afford more potential functions. Lastly, Iam referring to the complexity of collective design team organizations working on different projects.The fact is that our social work division is moreintricate and variegated today; Architects mustby necessity negotiate with governmentalauthorities, material suppliers, engineeringconsultants, quantity surveyor, contractors,planning authorities, landscape architects, interiordesigners, acoustical engineers, et cetera besidesjust our clients. Meanwhile, projects and designteams tend now to be a globally dispersednetwork. All of these things are challenging theconventional architectural practice, it'sorganization, and administration significantly.

Complex可以從3個層面上理解：首先是指設(shè)計(jì)形式上的復(fù)雜性国产qv，即引入計(jì)算機(jī)數(shù)字化技術(shù)后，建筑師可以設(shè)計(jì)和控制更高級视频偷拍网、更復(fù)雜的幾何形體日韩午夜福利尤物在线观看视频，而不是簡單地發(fā)揮計(jì)算機(jī)復(fù)制、粘貼的畫圖優(yōu)勢日韩深夜在线，讓計(jì)算機(jī)真正參與到設(shè)計(jì)過程中免费高清一级片，帶來更多設(shè)計(jì)形式上的可能性（需要指出的是，這種形式上的演進(jìn)已經(jīng)從開始的直覺行為轉(zhuǎn)成由系統(tǒng)理論指導(dǎo)的理性應(yīng)用）无码日韩人妻视频；第二自拍视频在线观看网站，是指與社會學(xué)相關(guān)的復(fù)雜性，科技讓人們更多更快地接受和傳遞信息AAA无码久久久精品毛片，建筑和城市空間的功能性變得越來越模糊欧美日韩免费高清视频一区二区，無法預(yù)知，隨時間調(diào)整自身欧美A级中文字幕免费、不斷變化的空間正在不自覺地逐步取代原有功能確定的傳統(tǒng)空間黄色工厂-这里都是精品，或者說一個空間要承受比以前晰釋復(fù)雜性ARTICULATING COMPLEXITY多得多的功能要求；最后久久久久久国产免费视网址，是指在一個建筑方案內(nèi)團(tuán)隊(duì)組織的復(fù)雜性曰韩一级A片欧美一级A片，社會分工越來越詳盡，建筑師要面對的除了甲方和使用者在线亚洲欧美va天堂在线，還有政府權(quán)力部門亞洲精選精品黃色視頻、材料供應(yīng)商、工程技術(shù)部門999国产精品永久、合同簽約顧問911视频黄色、城市規(guī)劃部門激情五月丁香婷婷、景觀設(shè)計(jì)師、室內(nèi)設(shè)計(jì)師国產特黃特粗又長A片、音響設(shè)計(jì)師等等相關(guān)的合作單位h片在线观看视频免费播放，同時，在項(xiàng)目和設(shè)計(jì)職員的地域分布上更趨向全球化男人晚上天堂黄色网站，這些都帶給建筑事務(wù)所內(nèi)部管理和組織上前所未有的復(fù)雜性97人妻a。

Etain的故事.This lady, now the wife of Eochaid Arem, high-king of Ireland, was in a former existence the beloved of the god Mider, who again seeks her love and carries her off.

這位女士，現(xiàn)在是愛爾蘭最高國王Eochaid Arem的妻子小草无码免费视频，在至愛之神密特形式上的存在之物里面国产亚洲黄色视频，又再次地去尋找她的愛，并且得到她的芳心在线网址你懂的。

In contrast, trans-formationin the general sense tends to stick to the form of the original work, thus possibly failing in having not transformed itself from the latter and tendentiously confining itself within the form, to the result that it is to some extent represented in an imitation of the original.

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With further understanding and recognition in art, her painting style was changed continuously, especially breakthrough on artistic method and expressive forms. In 2005, Marta left Spain for Shanghai and was attracted by the purity of the Chinese traditional culture and traditional building materials. On the basis of the original artistic language, she was trying to integrate the Western and Chinese drawing language in terms of the expressive form. Generally, She planned models after modeling language of Western oil painting. Then, she pasted or collaged the traditional materials such as pearl, silk and knitting cloth on the drawing board.

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Her painting style developed and broke through in the manners and forms of expression when she recognized and understand art step by step. Marta was attracted by the traditional culture and the pure of the art material in China when she came to Shanghai from Spain in 2005. She attempted to establish contact of painting between China and the West on the form of expression. She always uses oil painting first then adds the Chinese traditional material such as pearl, silk, and knit goods together.

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Proformas形式上的;hereunder在此之下,在下文; The Design Change Control procedure shall show how all changes are controlled through correct engineering and how all agreed changes are incorporated into the as-built drawings and model.

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The unity of substantial form in composite beings, applied to man, requires that the soul be the substantial form of the man, so as to exclude even the forma corporeitatis, admitted by Henry of Ghent, Scotus, and others cf.

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formally：形式上

formal 形式的 | formally 形式上 | hypothetical 假定

in form：在形式上

同時也觀察到耶穌的解經(jīng)法與當(dāng)時猶太人的解經(jīng)法在形式上(in form)有許多相似之處. 雖然末世性解經(jīng)在形式上相似,但是內(nèi)容(content)卻不全相同;耶穌是要指明衪就是那位彌賽亞. 今日基督教同樣地接受七十士譯本為正典. 在末世論的解釋上,

in form：形式上

Williamson)所作的研究告訴我們,希伯來書和斐羅的相似之處是形式上(in form)的,而非觀念/內(nèi)容上(contents)的. 也認(rèn)為形式上的相似是因?yàn)橄２畞頃髡吆挽沉_同樣是處在同一個(亞歷山大城)背景中. (注十四)另外,

in form：形式上, 情況良好

for form 's sake form 形式上 | in form 形式上, 情況良好 | in due form 正式的, 按照規(guī)定的格式

It is a matter of form：形式上的手續(xù);例行公事;禮節(jié)問題

Liu Xiang was out of form in the Olympic Games. 劉翔在奧運(yùn)會時狀態(tài)不好. | It is a matter of form.形式上的手續(xù);例行公事;禮節(jié)問題 | 1)The path winds through the woods. 這條路蜿蜒穿過樹林.

Proforma：形式上(的)

profondometer 深部異物定位器 | proforma 形式上(的) | proforma invoice 形式發(fā)票

exponence error：形式上的錯誤

explosive 爆(發(fā))音 | exponence error 形式上的錯誤 | exponential sounds 指數(shù)語音;冪數(shù)語音(指重音,音高等)

assignation or disposition ex facie absolute：任何形式上的絕對轉(zhuǎn)讓或絕對產(chǎn)權(quán)處置

公平合理的原則-----ex aequo et bono | 任何形式上的絕對轉(zhuǎn)讓或絕對產(chǎn)權(quán)處置-----assignation or disposition ex facie absolute | 特惠的-----ex gratia

another species of life form：地球上的一種生命形式

One hour from now 從現(xiàn)在起的一小時內(nèi) | another species of life form 地球上的一種生命形式 | will disappear off the face of the planet 已經(jīng)永遠(yuǎn)的消失了

pro forma balance sheet：形式上的資產(chǎn)負(fù)債表

Break Even Analysis 盈虧平衡分析 | Pro Forma Balance Sheet 形式上的資產(chǎn)負(fù)債表 | Pro Forma Income Statement 形式上的收入報表