There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深層線條becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.

他通常在副部的開始加入一個三度的調(diào)性影音先锋zyz，有時再加入一個新主題18禁黄网站禁片无码观看，最后在呈示部結(jié)束之前到達屬調(diào)色色色AAAA； 5福利一级A片视频在线观看、較多地運用整小節(jié)的休止日韩精品一区二区三区A片，使其不僅具有深刻的表情意義，而且在結(jié)構(gòu)樂曲中起到了不可或缺的作用av78摸.com； 6人人操人人摸人人干、舒伯特在慢板樂章中運用同一旋律異調(diào)配置的和聲變奏方式來構(gòu)成音樂的段落，使同一個旋律在不同的和聲色彩里閃現(xiàn)国产精品久久久狼友，既避免了單調(diào)的重復(fù)欧美一级夜夜爽老妇，又保持了旋律的抒情性和完整性； 7男人天堂网址在线、展開的段落中習(xí)慣運用半音化的發(fā)展手法手机看片日韩精品视频在线，半音階式的深層線條成為某些展開段落的顯著特點； 8黄色A片大全、c小調(diào)和A大調(diào)奏鳴曲中都運用了"阿特拉斯"動機黄片操美女，三首奏鳴曲中運用了大量嘆息的音調(diào)，并傾向于~#c小調(diào)的運用性插进去啪啪视频呢； 9九九99re热久久久久久精品、"流浪者"的情感因素是音樂強烈沖突的深刻思想根源久久久91精品国产一区传媒。

In the technique of composing music , changing the movie and TV music which has features of the original unitary accent and simple smooth melody into the symphony and the chamber music which has polytonality or atonality with numerous and diverse melody .

在作曲技法上，由原來的調(diào)性比較單一黄色网站欧美A、旋律比較簡樸流暢的影視音樂到多調(diào)性或無調(diào)性欧美日本韩国国产、旋律繁雜的交響樂、室內(nèi)樂av在线黄片免费观看。

The Classicist used lyric and expressive melody, inventing a musical form predicated on the idea of one melody being contrasted with a second.

古典主義者用抒情的和富有表情的旋律久久久www，以一個旋律與另一個旋律相對比的思維為基礎(chǔ)來創(chuàng)造音樂的形式。

In music structure, through the contract of the musical form structure of this work and the typical classical concerto musical form structure, it summarized the inheritance of classicism concerto structure and the personalized innovation of national style of this work, and emerged Chopin"s inheritance in concerto creation and his innovative spirit in this area. In melody, by centering the elaboration on the vocal and colorful melody, it fully displayed Chopin"s unique artistic style and distinct romanticized characteristic in melody creation. In rhythm, with the analysis of the third music movement"s rhythm, we could learn the rhythm of mazurka which penetrated the entire music movement and which had typical Poland national characteristics, the national characteristics of the work, and the primary form of characteristic rhythm. Furthermore, it revealed the national essence and the origin material in Chopin"s works. At last, in harmony, from the aspects of linearity and the sound thought of semitone, the counter-function harmony proceeding in breaking traditions, the harmony technique in function-extended, the charm in detuned chord, the blending of sound rhythm and music situation, it analyzed and summarized the distinct romanticism in harmony arranging in the work.

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Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

蘇沙和他的太太在1896年一次愉悅的歐洲之旅途中欧美动日韩中文，看到一篇令人吃驚的報導(dǎo)欧美一级鲁片一区二区三区，蘇沙的樂團經(jīng)理大衛(wèi)布雷克在幾天前突然去世，他們在知道這個消息后立刻搭船回到紐約免费高清黄色AV网址，在返航途中欧美亚黄色大片，蘇沙開始聽見「樂團在我腦中演奏的節(jié)拍、不停地演奏一区二区三区中文字幕丘咲、演奏最近更新202中文字幕视频、演奏，整個回程中那個想像中的樂團一直重復(fù)著同樣的旋律欧美午夜伦费电影在线观看、并重復(fù)演奏最特別的一段旋律」国产原创网站，在他回到家寫下整首旋律后亚洲性爱一级、就完成了「永恒的星條旗」的初稿。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

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In the second chapter, Musical element analysis, the author starts with melody. On the one hand, the author analyzes the overall characteristic of the melody of Chopin"s scherzos; On the other hand, the author analyzes development technique of the melodic in Chopin"s scherzos.

在第二章音樂要素分析中，首先從旋律入手精品国产免费观看一，一方面分析了肖邦諧謔曲旋律的總體特征无码日韩啪啪片高潮喷水，另一方面分析了肖邦諧謔曲旋律的發(fā)展手法。

Japanese folk melody usually have two categories is quiet simple, like "cherry" and "Four Seasons", a simple melody to the extreme, the range is limited to one octave, with a flat in the United States and sad ; The other is just the opposite of melody turbulent ups and downs, a large range span, shallow Diyin to sing in the climax of the potential for sudden, the sound is the heart Dang Shen Yao, the highest Chang Dao, often an issue of the Songran Vibrato, the movie "Station" theme song is a case in point,"Beiguozhichun" has the taste of this, the singers sang songs of this kind from time to time to stir up the audience fanatical passion.

日本民歌的旋律通常有兩類www.p2p521.com，一類是寧靜單純的很鲁很鲁欧美，像《櫻花》、《四季》那樣婷婷五月婷婷五月综合激情五月，旋律簡單到了極點黄毛片在线观看，音域只限于一個八度，平淡中帶著一股傷感的美亚洲一级av无码中文毛片；另一類剛好相反久久亚洲精选，旋律動蕩起伏，音域跨度很大欧美的人人操，淺唱低吟中潛伏著突發(fā)的高潮女生叉开腿让男生桶，聽來令人心蕩神搖，唱到最高處WWW.AVAV50.C0M，往往會發(fā)出一種令人悚然的顫音欧美黑人巨大巨粗性XXXX，電影《車站》的主題歌就是典型的例子，《北國之春》也有這種味道日韩亚洲欧美精品一二区，歌手在演唱這一類歌曲時常能煽起聽眾狂熱的激情在线看黄色操人。

I would sit back and listen to the violins get lovely melodies, the violas would get lovely melodies, the second violins would get lovely melodies

我就閑閑地坐在那，聽小提琴拉著美妙的旋律九九热频道这里只有精品99，中提琴也將有好聽的旋律欧美日本性爱轮奸网站，第二小提琴也會有動人的旋律日韩精品在线播放欧美视频。。又色又爽又黄的视频在线网站。

While the ascending melodic minor follows the natural minor, with the sixth and seventh degrees of the scale sharpened as in the major scale, the descending melodic minor scale follows the natural minor. The descending melodic minor scale of A minor can, therefore, be played on the white notes of the piano, starting on A, and would be:

上行旋律小調(diào)與自然小音階的模式相同野狼av社区，大音階的第六級和第七級音階仍為升，下行旋律小調(diào)遵循自然小調(diào)模式8090sex电影网。A小調(diào)下行旋律小調(diào)為在鋼琴的白鍵上演奏亚洲欧美另类久久图片，開始于A調(diào)，為

arsis：[美國]技術(shù)旋律死亡金屬

Archeon [波蘭]力量速度旋律死亡金屬 | Arsis [美國]技術(shù)旋律死亡金屬 | As Hope Dies [美國]旋律死亡金屬

cantus firmus：定旋律特级特黄视频、在固定旋律上,加上對位旋律

29. canto primo 首席女高音 | 30. cantus firmus 定旋律、在固定旋律上,加上對位旋律 | 50. chaconne 恰空舞曲,慢三拍子舞曲

melodia marcata：(意)強調(diào)旋律聲部

melodia(意)同上. | melodia marcata(意)強調(diào)旋律聲部. | melodic(英)旋律的;富于旋律性的.

melodic sequence：旋律反復(fù)進行 ,旋律在音階的不同音級上的反復(fù)

47. melodic progression 旋律進行 | 48. melodic sequence 旋律反復(fù)進行 ,旋律在音階的不同音級上的反復(fù) | 49. melody 旋律,曲調(diào)

melodics：旋律學(xué)

melodic 有旋律的 | melodics 旋律學(xué) | melodious 旋律美妙的

melodious: a.1：旋律優(yōu)美的,悅耳的 2.(有)旋律的,有樂曲的

tedious: a.單調(diào)乏味的,令人生厭的,冗長羅唆的 | melodious: a.1.旋律優(yōu)美的,悅耳的 2.(有)旋律的,有樂曲的 | capricious: a.變化無常的,變幻莫測的,任性的,剛愎自用的,忽發(fā)奇想的

melodiously：旋律美妙地

旋律美妙的作曲家melodist | 旋律美妙地melodiously | 旋律配合counterpoint

melodist：旋律美妙的作曲家

旋律的rhythmicrhythmical | 旋律美妙的作曲家melodist | 旋律美妙地melodiously

Melodist Maker：旋律創(chuàng)作器

Using the Melodist 運用旋律器 | Melodist Maker 旋律創(chuàng)作器 | Melodist Tutorial 旋律器指導(dǎo)

melody：旋律

10.>(上海音樂出版社,1988年第一版)只收錄"旋律"(Melody)條目,解釋為:一連串音的有組織的進行. 旋律的性格和效果決定于其調(diào)式日本高清com、節(jié)奏及音高布局. 通過以上各種辭典對"旋律學(xué)"和"旋律法"的解釋,我們可以看出,