This project proposal will draw up the short-term, mid-term and long-term research plans in nine years based on the capacity of the fire lab of ABRI in Tainan and the each term covers three years. One or two research topics will be planed in each year. The planned topics will focus on studying the structural behaviors of SRC and steel composite structures in fire and investigate the important parameters affecting the mechanical behaviors in fire. The most economical experiments will be designed during nine years. This research will invite Prof. Michael D. Engelhardt from the University of Texas at Austin to participate in some research topic planning for international collaboration.

本計畫主要系依據(jù)內(nèi)政部建筑研究所防火實驗中心梁柱樓版復合爐可執(zhí)行之實驗項目暨國內(nèi)建筑實況久久精品日本3级视频，并據(jù)此來規(guī)劃研擬為期9年之短美日在线无码视频看看、中日韩毛片色哟哟一区二区三区四区五区、長程研究計畫為原則2022国产激情视频在线观看看，每期以3年為一期程，每年研擬1~2個研究課題国产v欧美v日韩v亚洲老妇，針對不同復合構件研究国内精品久久久久久久久久，以探討分析結構火害力學行為所必要之參數(shù)，并規(guī)劃進行最精簡之實驗99久久久国产，本研究擬邀請國外學者參與部分研究課題亚欧黄片，提供與國際合作之規(guī)劃內(nèi)容及研究方向之建議，以使未來研究成果能與國際接軌a片免费资源。

A novel chitin-degrading aerobe named Chitinibacter tainanensis was isolated from a soil sample collected from Tainan County, and was proved to produce NAG.

本公司自臺南縣稻田土壤中篩選出一株新種的細菌一级一级黄色A片，經(jīng)鑒定為新屬新種，并以發(fā)現(xiàn)地命名為Chitinibacter tainanensis一级婬片A片AAA毛片A。

The benthic diatom Amphora coffeaeformis was separated from the algal mat in the Tainan Saitworks. Effects of salinity and nutrient limitation on the growth and exopolysaceharide were studied.

從臺南鹽場藻墊中分離到硅藻咖啡雙眉藻黄色视频`手机在线免费看，研究了鹽度和氮磷營養(yǎng)限制對其生長及胞外多糖產(chǎn)率的影響。

Tainan Jen Theatre takes important part in the history of south Tainan's development of theatre. Tainan Jen Theatre grows to professional troupe form avocational community troupe, its hard work worths admiring and supporting.

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The status of Tainan County and Tainan City has been left to the Executive Yuan.

但是現(xiàn)在的發(fā)展，卻是臺北市www.MADOUav.com、臺北縣各自獨立為市www.hzweisun.com/，但基隆市不在其中。

Like Tainan Enterprise Culture And Arts Foundation executive officer: Uncle Yeh, Tainan Enterprise Culture And Arts Foundation chairman: Uncle Wu, Tainan Enterprise Culture And Arts Foundation explainer: Aunt Lin-Chen, Tainan Breeze Plaza『Meridar Bicycle』chairman: Uncle Dai, Tainan Wild Bird Preserve Group: 2 explainers, and Mangrove Protect Group: explainer Sister Shen, and executive officer: Officer Huang.

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Ming-Ling M U, who has learned the piano from her auntie Li-Fen MU when she was 4 years old. 1997, Ming-Ling has passed the examination of Tainan University of Technology, Department of Music, majors in piano, minor course is flute, and has been taught by Zhen-Zhen LIU, Nei-Wen WANG, Li-Li ZHOU and Li-Min CHEN. During the school, Ming-Ling has been asked to be the accompanist for Tainan city Phoenix City children's choir. 2003 she has passed the examination from Conservatoire de Reuil Malmaison-senior class of piano performer with the teacher CHANTAL RIOU. In year 2006, Ming-Ling has brought herself to the senior class of piano accompanist and learned with teacher PONDEPEYRE ANGELINE, who made her graduated as the first-rate in the next year from Conservatoire de Reuil Malmaison.

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This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

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