In the first charter , the development of Art of Using Concepts is stated in order to make readers know its proceedment. In the second charter ,the difference between the Art of Using Concepts and Apriorism and Expiricism in order to make readers understand the disparaty of Kant's Apriorism and Expiricism. In the third charter, the relation between true thinking and the Art of Using Concepts so that it's necessary that the Art of Using Concepts needs true thinking. In the former charter, the relation between practice and the Art of Using Concepts which indicates that the Art of Using Concepts is based on the practice.

在第一章中，闡述了"運(yùn)用概念的藝術(shù)"的演化過程日本黄页网站免费观看，主要是讓讀者了解一下"運(yùn)用概念的藝術(shù)"的發(fā)展變化亚洲人妖性爱；第二章闡述了"運(yùn)用概念的藝術(shù)"與先驗(yàn)論和經(jīng)驗(yàn)論是根本對立的欧美婬片一级视频播放，這一章是為了讓讀者了解"運(yùn)用概念的藝術(shù)"與康德的先驗(yàn)論欧美老妇乱又伦A片，經(jīng)驗(yàn)主義的區(qū)別欧美在线精品免费AAA片；第三章主要闡述"運(yùn)用概念的藝術(shù)"與"真實(shí)的思維"的關(guān)系，說明"運(yùn)用概念的藝術(shù)"需要"真實(shí)的思維"黄色网站一二三四五六；第四章主要闡述"運(yùn)用概念的藝術(shù)"與實(shí)踐的關(guān)系91在线精品免费一区欧美，說明"運(yùn)用概念的藝術(shù)"是建立在實(shí)踐的基礎(chǔ)上的。

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

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12 Now --Conceptual Estate in Shanghai, Shanghai, China ; 10 The First Norminative Exhibition of Fine Art Literature, Wuhan, China; 10 Sculpture by the Sea, Sydney, Australia; 8 Gods Becoming Men, Frissiras Museum, Athens, Greece ; 7 What Is Art--Two Wrongs Can Make One Right, Xian Art Museum, Xian, China ; 7 Playing With Chi Energy, House of Shiseido, Tokyo, Japan; 7 L'art a' La Plage, Nice. France; 7 Exposition des Sculptures Chinoises, Jardin Des Tuileries, Paris, France; 6 Between Past and Future: New Photography and Video from China, International Center of Photography / Asia Society, New York, U.S.A; 6 Le Moine et le De'mon, Lyon Contempprary Art Museum, Lyon, France; 5 Busan Sculpture Project, Busan, Korea; 4 Light As Fuck, National Museum of Contemporary Art, Oslo, Norway; 1 Beyond Boundaries, Shanghai Gallery of Art, Shanghai, China

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Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

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Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

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After the antique, Wolfflin had gone through the cover review of the characteristic of classicality art and the Baroco art, come into the research of the whole reappearance art, taken the entire occident art phylogeny, especially the reappearance art of enjoin in the period of Revival of Learning into a uniform concept system. The opposite style drawing of classicality art and the Baroco art is the basic of this concept system.

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Different from the primitive commune, Henan Shifo Art Commune is open and emanative. It establishes effective resources, based on returned overseas artists and international art institutions, to have a direct contact with the international contemporary art. Its art atmosphere, art content and artistic communication have been international ever since its birth. Many artists from U.S., Italy, Germany and North Korea have been invited here for art intercommunication.

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The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.

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China's modern ceramic art has experienced about 20 years of artistic language experiment since 1980s. It has experienced a process from focusing on art form to media language; from weakening ideology to pick it up again, then to stylizing ideology. The process has made modern ceramic art be an important part of Chinese contemporary art, contain instant feelings and broaden cultural horizon. It promoted ceramic art through comparing with pure western art style in the modern art system.

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Director of Animated cartoon Art Center of China Artists Association, member of China Artists Association, consultant of Research and Collection Department of China Oil Painting Academy and China Central Academy of Fine Arts, commissary of Review Council of Wang Jialian's Oil Painting Scholarship of China Central Academy of Fine Arts, grade one painter of Painting and Calligraphy Art Center of China Literature and Art League, member of American Portrait Association, visiting professor of Xu Beihong Art College of China People University and Animation College of Beijing Film Academy, judge for art and recommendation of mascot for 2008 Olympic Games in Beijing, art judge of mascot for 2008 Paralympic Games in Beijing, vice chairman of Comic Strip Branch of China East Culture Research Academy, vice secretary general of Comic Strip Art Committee of China Publisher Association.

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