The thesis are divided into four parts: chapter 1 is telling the background of La Traviata and the composer"s mentality; chapter 2 is telling how to perform Violetta on the basis of the musical and dramatic factors; chapter 3 is telling the greatness and tragic of the character Violetta; chapter 4 is telling unitarily the artistic charm of the character Violetta,, and her artistic value to the opera La Traviata and even to Verdi"s other opera works.

全文共分為四大部分：第一章主要交待《茶花女》的創(chuàng)作背景和創(chuàng)作心理又硬又粗又黄的视频；第二章主要從音樂和戲劇兩因素分析作曲家如何對薇奧萊塔人物形象進行塑造和演唱者如何進行二度創(chuàng)作黄色在线91AV；第三章九一国产在线视频免观看，主要從美學角度分析薇奧萊塔形象的"崇高"和"悲劇性"審美價值www.911gu.com；第四章黑白xxxxx，從"薇奧萊塔"歌劇形象看威爾第歌劇的獨特藝術(shù)魅力在线观看视频资源www网站18。

When we study the works artistic style, we may easily notice its evident marks of realism and psychoanalysis, and the presence of madwoman makes this peculiar artistic style even more glaring.

從藝術(shù)風格的角度來看，小說具有明顯的現(xiàn)實主義精神和精神分析的痕跡99国产精品视频，而正是瘋女人的出現(xiàn)更加突出了小說獨特的藝術(shù)風格亚州视屏。

The writer chose representative poets' works to launch the treatise, owing to the popularity and influences of poems.The full text was divided into five parts, the first part reviewed the achievements of minority Chinese language poem; the second part analyzed the imago of the poem and explained the deep artistic connotation; the third part emphasized to analyze Jidi Maja's poems, which represented the Yi's poem at Cold Mountain and Liemei Pingcuo's poems, which represented the Tibetan poem. The fourth part discussed the innovation of minority poet about the poem pattern and artistic personality, commented on pioneer poets' conception and practice, and the attention to soul of the minority female poets. The fifth part pointed out the limitations of the new period national minority poem.

本文具體分為五個部分：第一部分從民族意識的自覺和自審，詩美建構(gòu)的探索與實踐等方面綜論少數(shù)民族漢詩的創(chuàng)作成就黄色视频,黄色网站,黄色视频免费观看。；第二部分為精神原型的詩意體現(xiàn)——意象系統(tǒng)分析亚洲国产人成在线观看，分別從原型意識的現(xiàn)代演繹和宗教神性家園的守望等角度分析詩歌意象，闡釋深層的藝術(shù)內(nèi)涵114一级黄片；第三部分著重分析以吉的馬加為代表的涼山彝族詩歌亚洲视频不卡毛片，以列美平措為代表的藏族詩歌，****其作品對民族靈魂的傳承和文化內(nèi)涵的重構(gòu)在线免费AV；第四部分探討少數(shù)民族詩人關(guān)于詩歌范式與藝術(shù)個性的創(chuàng)新韩国国产色色一区二区视频，評論先鋒詩人的詩歌理念與實踐，少數(shù)民族女性詩人對心靈的觀照欧美性三级视频；第五部分通過整合得出新時期少數(shù)民族漢語詩歌創(chuàng)作存在的局限美日韩美女自插在线视频观看，指出漢化和西化傾向?qū)е卤久褡逦幕厣娜笔А?/p>

The four factors for determination of fair use are just a basis of the balance of the conflict between the copyright owner and the parodist. For the purpose of the artistic freedom, and regarding the interest in providing incentives to create more art, Copyright Act of Taiwan must add a new provision to refer to the fair use of the copyrighted works for the purpose of the artistic expression.

雖然我國著作權(quán)法對於嘲諷性模仿是否侵害著作財產(chǎn)權(quán)之問題色热av，有適當?shù)臈l文可以適用，不過基於對藝術(shù)自由之重視一级欧美片网站，與藝術(shù)創(chuàng)作之鼓勵三级视频在线免费观看，本文認為應(yīng)於著作權(quán)法新增條文，規(guī)定基於藝術(shù)創(chuàng)作之目的所為之著作利用七七久久，得主張合理使用国产精华Av在线导航网站。

Meanwhile, I set up a few artistic obstacles for myself. When some new media and artistic words are flown into my works, they drives me to rethink and rejudge the whole situation.

同時，每天都在給自己設(shè)置著藝術(shù)的障礙2021无码影片，當我在作品中注入新的媒介和藝術(shù)語匯時国产人与动人物a级毛片，將會牽動著我對"全局"的重新思考和判斷。

Caryl Churchill is an original and witty playwright whose works embody contemporary artistic trends . She identifies with Brechtian artistic view that theatre should be related to political issues and social morality.

凱蘿拍拍黄色网站。邱吉爾是一位有著強烈的時代責任感與獨立意志欧美xxxxwwww，藝術(shù)上不斷超越、更新自我国产日韩视频合集一区，有著不懈地探索和追求精神的戲劇家凱蘿三级电影网址。

The thesis are divided into four parts: chapter 1 is telling the background of La Traviata and the composer"s mentality; chapter 2 is telling how to perform Violetta on the basis of the musical and dramatic factors; chapter 3 is telling the greatness and tragic of the character Violetta; chapter 4 is telling unitarily the artistic charm of the character Violetta,, and her artistic value to the opera La Traviata and even to Verdi"s other opera works.

全文共分為四大部分：第一章主要交待《茶花女》的創(chuàng)作背景和創(chuàng)作心理；第二章主要從音樂和戲劇兩因素分析作曲家如何對薇奧萊塔人物形象進行塑造和演唱者如何進行二度創(chuàng)作一级大香一级大香香蕉；第三章自拍偷拍网页，主要從美學角度分析薇奧萊塔形象的&崇高&和&悲劇性&審美價值；第四章一级片高清无码在线观看不卡，從&薇奧萊塔&歌劇形象看威爾第歌劇的獨特藝術(shù)魅力三级黄毛。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》馬一平用對比強烈的紅色69毛片免费视频观看、藍色層層涂蓋视频91自拍、本能地運用自身感受以暗示的手法表達對生命的超越。1996-2001年以物象為主題的系列作品對超載心理先驗物象的表達方式確定了他藝術(shù)作品的發(fā)展方向国产丝袜福利在线，2003年前后的作品中xx性爱视屏，夢一般的暗示性物體程現(xiàn)了生命本體對宇宙物理世界的茫然，在2006年的《物象》系列中日韩精品激情视频网站免费观看，黑色的方體上不確定的物狀在线观看中文字幕在线、模糊的邊緣在泛著銀色光影的襯托下，泛生著各種不確定的指向感亚洲精品自拍私拍，此時對本質(zhì)直觀的感知性的把握使作品藝術(shù)風格基本形成97精品视频在线观看免费专区，到后來的《神物》已經(jīng)充分地把握了精神世界里的永恒感，畫面中所能達到的精神性和神密暗示意義的表現(xiàn)手法已近成熟超碰在线免费。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

雖然它注入了藝術(shù)家的個人意識人人操人操人人射，但關(guān)鍵就是分寸感的把握，不然，或者倫為真的大眾趣味欧美国产综合在线，或者切入過多的經(jīng)英語詞匯十八以下禁止观看的网站，而使語言虛弱，就我而言黄软件在线观看，我不敢重操油畫欧美黑人大尺度又粗又长最新章节，或是改造擴充，就是由于它本身太文化了无码全黄性涩视频在线，一出手就高雅了亚洲中文字幕久久精品，怕弄個不倫不類而失掉語言直接性的強度，文化結(jié)構(gòu)的改變欧美AA欧美A，藝術(shù)的俗語是一種趨勢免费一级日本大片，從藝術(shù)語言上，我是用傳統(tǒng)刺繡方式和手法的一级a片啊啊啊，早在圓明園畫家村時超级毛片网址在线观看，我?guī)缀鯖]有畫出什么東西，油畫肯定覺得使用起來有問題国产激情av在线，在當時偶然在頤和園門前在线黄片免费观看，看到很多刺繡的藝術(shù)品，一下子感到找到了方法美女下部隐私扒开视频无遮挡，因為刺繡這種手段屬于工業(yè)文明之前的東西久草视频在线一区二区三区，它有種土色和平民的感覺，這種也對應(yīng)了時下的&平常人&玖玖色在线免费视频、&小人物&8x8ⅹcom永久免费视频、&暴發(fā)戶&對現(xiàn)代化的消費趣味的追求，那種不倫不類的現(xiàn)代性美女赤裸露私密部位网站，正好我的家鄉(xiāng)唐山有一個很有名的刺繡廠台湾特级黄片，找?guī)煾底鲎髌房赡芨奖悖辛诉@個想法之后国产欧美色,一区二区三区，也得到朋友的鼓勵，刺繡這一傳統(tǒng)民間資源的再利用AV天堂永久网，在某種意義上說就像&白話文&始于當時社會巨大的轉(zhuǎn)型出現(xiàn)的必然亚洲va国产日韩欧美精品色婷婷，它不單單是語言風格樣式上的意義，它體現(xiàn)的是深層的社會文化結(jié)構(gòu)改變的宣示性爱日韩一区。

According to the writer, Li balances literary critics w...ith other artistic categories, and appreciates critical works from the height of aesthetics. From Li's brand-new perspective, critique is not only"independent"but also"artistic", which is of remarkable significance as regards its implication in the revolutionary changes of literary criticism. The 2nd chapter"literary criticism is a form of discovery", literarily refers to Li Jianwu stressed that critic main body consciousness to text permeating, and his claims on critics'subjectivity and capabilities in aesthetic judgments. The writer concludes Li's ideas as the three following aspects:"critique is self-discovery","critique is the discovery of the writer's mind", and"critique is the discovery of humanity in literature", and gives full illustration one by one.

他把文學批評放在了與其他藝術(shù)品類平等的位置草国产在线视频，并且從審美的高度衡量文學批評，認為批評是&獨立的批評&高清无码性爱视频在线观看，也是&藝術(shù)的批評&亚洲色图熟熟，其意義非常深遠，具有文學批評革命性的改變這一意味在里面；第二章&文學批評是一種發(fā)現(xiàn)&指的是李健吾強調(diào)批評家主體意識對文本的滲入欧美熟妇性爱A片在线A片视频，要求發(fā)揮批評家的主體作用和審美判斷能力日本男人插女人，筆者將此概括為：&批評是自我的發(fā)現(xiàn)&、&批評是作家心靈的發(fā)現(xiàn)&毛茸茸婊子、&批評是作品中人性的發(fā)現(xiàn)&三個方面清清草影院欧美日韩，并一一進行闡釋；第三章重點論述李健吾文學批評的模式欧美黄色性交一级大屏。