Sandie Yi graduated from the Chicago Institute of Arts with a bachelor of arts and a master of arts in Art Therapy.

美國(guó)芝加哥藝術(shù)學(xué)院藝術(shù)學(xué)士及藝術(shù)治療碩士http://800av.com/，臺(tái)灣及美國(guó)藝術(shù)治療協(xié)會(huì)專業(yè)會(huì)員久久久久久精品欧美。

Chinese fine arts could not make achievements in a self-inclusive way any more because it had been endowed with the quality as an instrument featuring strongChinese fine arts with the instrumental and political connotations has been commencing to deal a profound impact upon the development o f Chinese contemporary fine arts.

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During 1996-97 the council provided more than $58 million in project grants to individual artists and arts organisations, and $50 million in general support and seeding grants to six major performing arts companies in Hong Kong - the Chung Ying Theatre Company, Hong Kong Ballet, City Contemporary Dance Company, Exploration Theatre,Hong Kong Arts Festival and the Hong Kong Sinfonietta.

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See also designation [Arts. 68.1, 69.1, 73-75], monotypy [Arts. 68.3, 69.3] and tautonymy Arts.

亦見designation條[第68條1五月日日操，69條1免费看黄片男人玩女人逼黄片，73.75條]，monotypy條[第68條3性生活黄色视频欧美，69條3]欧美肥妇午夜视频，以及tautonymy條[第68條4， 68條5]图片区小说区中文。

By above research and the analysis, the author elaborated reform direction of fine arts education vocationalism ,and has expounded reform contents from the specialty and the curriculum system, teaching styles to the qualities of teachers and students. The article emphasizes the reform on changing traditional teaching methods that focus more on theory than practice, more knowledge than skills; It advocates the training on student′s capabilities and skills, methods that sharpens student′s skills and the creative and innovative abilities. In a result,the fine arts education pattern will meet better need of market and the education development itself.Key words: fine arts education, art vocational education, art education reform, art vocational

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Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

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This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和簡(jiǎn)短的緒論及結(jié)語構(gòu)成：緒論粗略總結(jié)國(guó)內(nèi)關(guān)于美聲唱法、民族唱法及二者關(guān)系的研究已有的成果国产羞羞视频一区二区雷电将军；第一章嘗試通過歷史回顧直觀展現(xiàn)美聲唱法丰满巨肥大屁股BBW动态图、民族唱法之由來、特性及二者在當(dāng)代中國(guó)對(duì)話融合之進(jìn)程免费无码A片手机在线看片；第二章側(cè)重從呼吸国内精品一级无码免费播放费、發(fā)聲、吐字A级国产片免费观看、共鳴等技巧層面分析美聲唱法免费网站在线观看深夜视频、民族唱法各自的技巧特點(diǎn)并比較二者之間的異同；第三章除著重探討美聲唱法的民族化欧美在线性爱视频、民族唱法的美聲化及兩者融合共促于技術(shù)層面之可行性外色库视频导航，更試圖說明此二種聲樂藝術(shù)的融合發(fā)展在中國(guó)當(dāng)前不僅是符合社會(huì)發(fā)展趨勢(shì)和大眾審美要求国产不卡精品视频，更將對(duì)中國(guó)聲樂藝術(shù)的教育和發(fā)展具有重要影響；結(jié)語則就多元文化融合創(chuàng)新之大趨勢(shì)表達(dá)對(duì)未來中國(guó)聲樂藝術(shù)的希望97人人操人人弄。

At the first half of the 20th century when China's arts entered into its modern stage, Xu Beihong was undoubtedly a great figure in the arts field. To change the situation of plagiarization and imitation, and listless style for lack of life experience in Chinese painting then, he was the first to integrate the exquisite realistic practice of western paintings to Chinese paintings, following good command of both of them, exploring a new and wide horizon for the revolution and development of traditional arts.

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Pyrograph China's greatest gourd art that is, ZHANG Tai-Ling Zhang, March 1952 Health, Liaocheng, Shandong origin, Han nationality, the Department of artists Warren Member, Beijing Oriental Culture and Arts Co., Ltd. canals were a member of the International Association of Fine Arts, Arts and Crafts Society of China, China pyrograph art director of the Preparatory Group, the Beijing Association of folklore.

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