Finally came the King in his colossal golden chariot pulled by eight magnificent cream-colored horses, a single postilion riding the left lead horse, and six footmen at the side.

左邊最前的一匹馬上坐著一名單獨(dú)掌轡的馭手，馬車(chē)邊上是六名步兵（估計(jì)他的意思是一邊六名）国产三级AV大黄。

Finally came the King in his co lossal golden chariot pulled by eight magnificent cream-colored horses, a single postilion riding the left lead horse, and six footmen a t the side.

最后出現(xiàn)的是國(guó)王人人干自拍视频，他坐在由八匹奶色駿馬所拉的金色巨大馬車(chē)中。左邊最前的一匹馬上坐著一名單獨(dú)掌轡的馭手国产zipai，馬車(chē)邊上是六名步兵（估計(jì)他的意思是一邊六名）一道本无码A√。

Finally came the King in his colossal golden chariot pulled by eight magnificent cream-colored horses, a single postilion riding the left lead horse, and six fo otmen at the side.

最后出現(xiàn)的是國(guó)王，他坐在由八匹奶色駿馬所拉的金色巨大馬車(chē)中日本黄业网。左邊最前的一匹馬上坐著一名單獨(dú)掌轡的馭手99久久一级做a爱全免费，馬車(chē)邊上是六名步兵（估計(jì)他的意思是一邊六名）。

Maybe it's because it magnifies life and death, transcendent or tranquil. The chariot image comes from Western medieval paintings. Peter Bruegel's The Triumph of Death depicts the victory of death over life, over reality. Post-medieval Christianity puts a lot of emphasis on this life, using an emphasis on life to resist death, because in medieval times the emphasis was on the other side, and no one cared about this life.

馬車(chē)的形象是來(lái)自于西方中世紀(jì)的繪畫(huà)，彼特勃魯蓋爾《死亡的勝利》色视频二区最新视频，就是描繪死亡戰(zhàn)勝了今生日韩国内久久久久精品，戰(zhàn)勝了現(xiàn)實(shí)，中世紀(jì)以后的基督教特別重視現(xiàn)世和今生肥女人一级A片免费视频，通過(guò)對(duì)今生的重視9cao在线播放精品日韩，來(lái)抗拒死亡，因?yàn)橹惺兰o(jì)以前只重視彼岸色黄乱婬伦AV，不重視今生桃花色综合影院。