Malcolm's work on Post-Katrina New Orleans has been exhibited at the Colorado Springs Fine Arts Center, the Mobile Museum of Art, the New Orleans Museum of Art, the Warehouse Gallery, Washington DC, B-Complex, Atlanta and Barrister's Gallery, New Orleans with solo exhibitions at Tigh Fili Cultural Centre in Cork, Ireland, the Balor Arts Centre, Donegal, Ireland, the University of New Orleans' Fine Arts Gallery and the Thomas Hunter Gallery, New York.

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Documents of 2007 China Contemporary Art Documentary Exhibition》,《Prism——Seven New Artists Joint Exhibition of China Academy of Art》,《Form·Spirit》,《Art Life》,《The First China Modern Academies Watercolor Art Exhibition》,《Zhejiang Tide In The Moonlight- 2005 Zhejiang Oil Painting Exhibition》,《0 Distance》,《Foundation Art Education Models of Ten Fine Arts Academies in China》,《Form Experience》,《Academy Journey——2007 Graduation Exhibition of Oil Painting Department, China Academy of Art》,《The Art Work Collectanea of the Foundation Department, China academy of art》,《The Art Work Collectanea of China Academy of Art》,《Form and Structure》,《Paradigm》,《Super Structuralism》, and 《Starting From 0》, etc..

中國當代藝術文獻展文獻》《多棱鏡——中國美院新銳油畫七人展》《形國產黃片。意》《藝術界》《首屆中國當代學院水彩藝術展》《月印浙潮2005浙江油畫大展》《零距離》《全國十所高等美術院校造型基礎教學范例》《體驗形態(tài)》《學院旅途2007中國美術學院油畫系畢業(yè)作品集》《中國美術學院造型基礎部作品精選》《中國美術學院留校作品選》《論形體與結構》《完全范本》《超級結構主義》《從零開始》等www.黄色网站.com。

College School of the existing form (including the Chinese Painting Department,油畫系, line engraving, sculpture department, the Department of Fine Arts Foundation), School of Design (including construction and the environment, Department of Art and Design, Visual Communication Design, Digital Art Design, Fashion Design Department, Decorative Art and Design University, Department of Industrial Design, Design Arts, textile art and design department, furniture, Department of Art and Design, Ceramics Art and Design Department, Design Department), College of Arts and Humanities (including the Department of Art History, Art Institute, the public Teaching Department of the Ministry of Social Science Teaching), Department of Education and Fine Arts College of Continuing Education.

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This article illustrates detailed investigation and the statistics about art vocational education and development in vocational schools such as ShaanXi Art School,Movie and TV School, Economy and Trade school. The article also analysis and studies in different angles about fine arts vocational education reform: present situation of fine arts vocational education;The possibility and must for fine arts vocationalism education;The problems, reflection and countermeasure in the professionalism or vocationalism education reform; By analyzing present situation of fine arts education with statistics and comparison, the author elaborated the urgency for the reform, meanwhile ponder and summarize some reform attempts; By analyzing the possibility and necessity of vocationalism of fine arts education, along with the development of social economy and vigorously support from national policy, the article gives the full affirmation to vocational education prospects in our country, and indicates vocationalism will be inevitable trend for regular fine arts school education reform.

本文對國內藝術學校国产黄片一区二区三区无码未满十八岁、電影電視學校、經貿學校等一些中專學校的美術專業(yè)的教育及發(fā)展狀況做了詳細的調查與統(tǒng)計美女被干到高潮免费视频，并分別從以下幾個角度對中專美術的教育改革作了分析與研究：中專美術的教育現狀亚洲日产欧欧美性饭；美術職業(yè)化教育的可能性和必要性；職業(yè)化改革中面臨的問題以及思考和對策女十八岁免费很黄很黄黄片；在中專美術教育現狀的研究中嫖妓精品老司机在线观看，運用了數據分析和對比，闡述了改革的迫切性直接播放的毛片网站，同時針對當前中專美術在教育改革中所做的一些嘗試影音先锋亚洲综合资源在线观看，進行了思考和總結；在對美術職業(yè)化教育的可能性和必要性的分析中一级A片免费91，本文結合社會經濟的發(fā)展和國家政策的大力支持18禁毛片永久免费观看，對我國職業(yè)教育的發(fā)展前景給予充分肯定，指明中專美術教育向職業(yè)化方向發(fā)展將是中專教改的必然趨勢久久八视频。

By above research and the analysis, the author elaborated reform direction of fine arts education vocationalism ,and has expounded reform contents from the specialty and the curriculum system, teaching styles to the qualities of teachers and students. The article emphasizes the reform on changing traditional teaching methods that focus more on theory than practice, more knowledge than skills; It advocates the training on student′s capabilities and skills, methods that sharpens student′s skills and the creative and innovative abilities. In a result,the fine arts education pattern will meet better need of market and the education development itself.Key words: fine arts education, art vocational education, art education reform, art vocational

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Hebbel Am Ufer 2, Berlin Kreuzberg / Umweg über China, Hebbel Am Ufer 2, Berlin Kreuzberg / The Weight of the Reality, Marella Gallery Beijing / 2006 Regenesis, Museum of Contemporary Art, Haikou / Borderline Video Art Festival, Beijing, Platform China / 2005 Limit and Freedom / Summer Market, Fine Arts Literature Center, Wuhan / 920 Kilograms, Shanghai Duolun Museum of Modern Art, Shanghai / Siemens Art Programe-Part 5, What are they doing here?, SLC, Wuhan, China / 2004 Undercurrent-Video from China, Chinaclub2, Berlin, Germany / Slowly, Fine Arts Literature Center, Wuhan / Plug and Play, Byzantium Community, Wuhan / 2003 Electrolyte, Shenghua Arts Center, Nanjing / The Minority Is Subordinate to the Majority, Biz Art Center, Shanghai / 2002 Mushroom Cloud or Eutopia, Shanghai / Everyday Attitude, special exhibition of Chinese photo art, Pingyao International Photography Festival, Shanxi, China / New Urbanism, Guangdong Art Gallery, Guangzhou / 2001 Contemporary, Wuhan, Hubei Art Gallery / Welcome, Jinshayuan,Wuhan

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Director of Animated cartoon Art Center of China Artists Association, member of China Artists Association, consultant of Research and Collection Department of China Oil Painting Academy and China Central Academy of Fine Arts, commissary of Review Council of Wang Jialian's Oil Painting Scholarship of China Central Academy of Fine Arts, grade one painter of Painting and Calligraphy Art Center of China Literature and Art League, member of American Portrait Association, visiting professor of Xu Beihong Art College of China People University and Animation College of Beijing Film Academy, judge for art and recommendation of mascot for 2008 Olympic Games in Beijing, art judge of mascot for 2008 Paralympic Games in Beijing, vice chairman of Comic Strip Branch of China East Culture Research Academy, vice secretary general of Comic Strip Art Committee of China Publisher Association.

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On the first anniversary of Wenchuan earthquake, a large-scale Art project-1+1 Art Exhibition for Charity , jointly holds by BAZAAR, Art Beijing and National Art Project office of Central Academy of Fine Arts will be open in the Contemporary Art Fair on April, 26th.

在紀念汶川地震一周年之際，大型藝術慈善項目&藝術北京1+1慈善展&即將于4月26日亮相&藝術北京2009&當代藝術博覽會現場欧美AAAA在线视频播放。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

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One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.

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