Starting from Master Lin Fengmian, generations of outstanding Chinese artists have, in their inquiries of modern Chinese painting for almost a century, been trying to ingeniously merge the oriental art traditions with the modern western approaches, especially the abstractionism, or to balance the two heritages in a personal fashion so as to achieve a genuine breakthrough in the language of painting. This paradigm came into being in the later half of the century and new masters have been on the rise.

近一個世紀(jì)以來日本人人射，在中國現(xiàn)代繪畫的探索中，自林楓眠始a级免费视频在线，幾代中國藝術(shù)家的佼佼者一直在試圖將東方傳統(tǒng)與西方的現(xiàn)代，尤其抽象表現(xiàn)藝術(shù)進(jìn)行了巧妙的結(jié)合青草草影院，或者說是以個人的方式平衡了這兩種因素久久/99视频，從而在繪畫語言上取得真正的突破，這個框架在此后的半個世紀(jì)間已經(jīng)構(gòu)成稀缺资源网禁美女，并出現(xiàn)大家日韩超清一区二区不卡。

Western painting, in nature, is a medium that speaks out the truth. It has evolved from the religious truth (Greece, Rome and the Renaissance), nationalist truth to the individual truth (impressionism and abstractionism). The traditional Chinese collectivism, when encountering with the spoken-out truth, breaks the oil painting away from the truth-pursuing quality or the free spirit inherent in the Western tradition and modern art by regarding the oil paintings as a mere class of fine arts or a medium.

西方繪畫本質(zhì)上是一種真理性言說的媒介，經(jīng)歷了從宗教真理亚洲欧美中文乱伦，到國家主義真理国产91第三页，再到個人主義真理的演進(jìn)過程，漢語傳統(tǒng)中的集體主義在與這種真理性言說相遇時欧美性爱人人操人人射，通過僅把油畫視為"畫種"精品精油按摩毛片、"媒介"，將其與西方傳統(tǒng)中的求真氣質(zhì)国产久一黄色网站、或現(xiàn)代藝術(shù)的自由精神相切割二级婬片高清视频一。

This essay first expounds the significance and the position of abstraction in painting, and then the nature of abstractionist painting lying in the non-existence of particular object.

這種美不應(yīng)當(dāng)是思索出來的，應(yīng)當(dāng)是由感受而得到的国产吧在线视频。

Abstractionist painting is the avant-garde of the modernist art , representing a major breakthrough of 20-century painting.

抽象主義繪畫是現(xiàn)代派藝術(shù)的代表国产最新免费视频在线网站，是廿世紀(jì)繪畫發(fā)展的重大突破，但在我國尚缺乏必要的研究在线看人成视频人成视频免费看。

As a matter of fact, just by the side of the grey-tune tomb figure, a small life-painting of scenery-painting of nature of the painter hung on the wall has another sort of vision and that is the lyric scenery of academism we can usually see.

其實(shí)就在灰調(diào)子俑造型的旁邊www.日本特级，墻上掛的畫家的小幅風(fēng)景寫生卻是另一番景象，那是我們通常能看到的學(xué)院化抒情風(fēng)景在线观看永久免费精品，他有這個能力97人人操人人舔，但一旦進(jìn)入創(chuàng)作表達(dá)，王東春卻滿腔熱忱一根筋地進(jìn)入"泥瓦匠狀態(tài)"亚洲国产很多精品一区二区三区。

The 1960's that he had a dream of painting as a young art student, was an experimental period of passionate, challenging contemporary art (such as Abstract Expressionism, Art Informel, Action Painting).

在積極接受這樣不同的藝術(shù)趨勢下黄色可以大免费欢看久久的有，年輕的藝術(shù)學(xué)生感同身受地加入了其中。

Through deconstruction of reproduction system in traditional art by body movements and action of splashing paint in the painting process, the "action painting" had pushed modern art forward by a big step.

以波洛克為代表的美國"行動繪畫"日向雏田爆乳无码羞羞漫画，在作畫過程中另类视频午夜，其身體的運(yùn)動和顏料的潑灑將傳統(tǒng)美術(shù)的形象再現(xiàn)體系解構(gòu)人人超碰人人爽人人添，將現(xiàn)代美術(shù)向前推進(jìn)了一大步。

The above is the primary spiritual axis of my works between 2006 and 2008. The action of painting has been expanded to re-recognize the constitution of actual space and painting space, and it has radiated to become some kind of absolute immanence force.

以上是筆者二○○六年到二○○八年作品主要的精神軸心日韩毛片一区二区免费，從繪畫行動的擴(kuò)展重新體認(rèn)到繪畫空間外国A级免费毛片、實(shí)際空間的組構(gòu)并輻射成為某種絕對的內(nèi)勢力量。

In 《Hero's Return》, the astronaut protected by the guards is received by a welcoming crowd. In the first painting, he appears rigid, uneasy and overwhelmed by the scale of the event. In fact, he looks more like a criminal being marched to the execution ground. But in the second painting, he is shown to wave to the crowd and play the role of 'hero' with adeptness. We can almost begin to see the life he leads afterwards. He will be received by various top leaders and interviewed in television programs. In a succession of awarding ceremonies, speeches and briefings, he will become more and more experienced, relaxed and eloquent, so on and so forth. His self will be eroding. Whenever he looks at himself in the mirror, he will see a hero, a hero through and through. Via the contrast of images, the artist subtly reveals the process of hero-making.

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