The early writings of Jia Pingwa, which created along the road of realistic and have evident trace of imitation, are considered to be conventional and realistic. Afterward, as the writer penetrated with folk, and with the change of times and the format of language, the author dug out the mysterious connotation in Taoist, Fucianism, Buddhism and even civilian culture more far. And create a series of writings with deep mystery. After this, Jia create a series of saga novel again such as "The Ruined Capital" on the basic of combination of mysticism and realism. But in his near writings, such as saga novel "QinQiang Opera", the character of realism was aggravated while the character of mysticism was faded.

賈平凹沿著前輩作家的現(xiàn)實(shí)主義創(chuàng)作道路前進(jìn)一区二区欧美性爱，前期的作品具有明顯的模仿痕跡神马影院成人免费网站推荐视频，屬于傳統(tǒng)現(xiàn)實(shí)主義作品女秘书的黄色大片；后來(lái)更加深入民間色就是色综合网，隨著時(shí)代的變遷和話語(yǔ)形式的改變日本在线中文字幕播放，挖掘出道家超级超碰、佛家、儒家以至更為久遠(yuǎn)的民間文化的神秘內(nèi)蘊(yùn)欧美人与动性行为高清视频，創(chuàng)作出一批具有濃烈神秘色彩的作品玖玖玖玖玖无码；其后，把神秘主義與現(xiàn)實(shí)主義相糅合午夜中文不卡理伦片，創(chuàng)作出《廢都》等一批長(zhǎng)篇小說(shuō)一区黄色片A级；而到了近作——長(zhǎng)篇小說(shuō)《秦腔》，又淡出神秘主義，現(xiàn)實(shí)主義的色彩得到了加重中文字幕视频网。

They lose themselves in the titillation of language and form; they are infatuated with fragmentary appropriations of the classics; they are infatuated with the emptiness of decline and the passion of desire. As with the Western artists Jan Saudek and Joel-Peter Witkin, 'real-world objects should give up any idea of entering my pictures,' unless they undergo restructuring—by the artist's own taste and proclivities, by an amalgam of memory and fantasy, by a tone of pensive irony, or by seemingly absurd but in fact accurate imagination, thus restructuring the individual's relation to reality. It does not hurt to call these artists' work realism, but it is a kind of 'psychological realism' which 'extracts a deeper level of genuineness from fictive objects.

他們迷戀于語(yǔ)言與形式的快感久草1，迷戀于對(duì)文化經(jīng)典的片斷性挪用，迷戀于衰朽的虛無(wú)或色欲的激情操美女黄色网站免费观看，與簡(jiǎn)·索德克欧美高颜值A片在线播放、喬·彼得·威金（Joel-Peter Witkin）那樣的西方藝術(shù)家相似，"現(xiàn)實(shí)中的事物永遠(yuǎn)別想進(jìn)入畫(huà)面"meiav色在线，除非是經(jīng)過(guò)了他們的重構(gòu)——以其個(gè)人的趣味與癖好欧美日韩123级黄色片，以混合著追憶與幻想、傷感與反諷的語(yǔ)調(diào)看黄的视频网站，以看似荒誕其實(shí)準(zhǔn)確的想象力亚洲第一日韩在线，重構(gòu)了個(gè)人與現(xiàn)實(shí)之間的關(guān)系，你也不妨將他們的作品稱之為現(xiàn)實(shí)主義思思热在线视频最新地址免费精品，但那是一種"心理現(xiàn)實(shí)主義"——"從虛構(gòu)的事物之中抽取出更深層的真實(shí)国产主播一区二区三区四区。"

In this thesis, the author compared Bi Feiyu with those traditional realistic writers form three aspects: the intimate extent between the writer and the readers; the recognition to the authenticity and typicalness of the details; the similarities and differences about the world outlook. Therefore, the author claims that perhaps it is more suitable to define Bi Feiyu as "Psychological Realism" or "Spontaneous Realism".

本文從作者與人物的疏離程度、對(duì)細(xì)節(jié)真實(shí)與典型的不同認(rèn)識(shí)在线天堂官网首页入口在线观看、世界觀的異同等方面區(qū)分了畢飛宇與傳統(tǒng)現(xiàn)實(shí)主義作家欧美ⅹⅹ性欧美，認(rèn)為如果以發(fā)展的眼光來(lái)看待現(xiàn)實(shí)主義，那么將他定義為"心理的現(xiàn)實(shí)主義"或"寫(xiě)意的現(xiàn)實(shí)主義"或許更為恰當(dāng)日韩裸体美女福利电影在线观看网站。

Based upon such an expected aim, this thesis, using the form of commentary history of literature, has rather deeply discussed in the 20th century China's realism literature initiating problems situations, its beginning motives and actual development orientation, the problem of multiplication and univalence as one of the inner forming elements, the relationship between literature types and social cognition, problems concerning realism literature and modern China's internal anxiety, by focusing on problems such as"from Liang Qichao to Hu Shi,""Young Mao Dun's Upholding in Literature","Around Modern ","Lu Xun and the New Paradigms in Chinese Literature","Lao She's Style and His Concept about China", and"Hu Feng and Modern China's Subjective Anxiety", etc.

基于此一預(yù)期目的a级黄色大片在线观看视频，本論文采用史論形式，以問(wèn)題為中心選擇了"從梁?jiǎn)⒊胶m"人人色人人爱爱、"青年茅盾的文學(xué)主張"超碰在线wwww、"在《現(xiàn)代》周圍"、"魯迅與中國(guó)文學(xué)的新范式"国产免费网站看v片在线软件、"老舍的文體和他的中國(guó)觀"及"胡風(fēng)與現(xiàn)代中國(guó)的主體焦慮"等專題公司三级片，較為深入地探討了現(xiàn)實(shí)主義文學(xué)在20世紀(jì)中國(guó)興起的問(wèn)題情境、它的初始動(dòng)機(jī)和實(shí)際發(fā)展路向久久99视频这里只有精品、作為其內(nèi)在構(gòu)成要素之一的多樣性與單一化問(wèn)題日韩美女福利诱惑国产在线观看、文學(xué)型式與社會(huì)認(rèn)知之間的關(guān)系、現(xiàn)實(shí)主義文學(xué)與現(xiàn)代中國(guó)的內(nèi)在焦慮等問(wèn)題黄色免费能看网站。

Extreme realism, mild realism and antirealism give three different kinds of definition on fictional object.

對(duì)虛構(gòu)名稱的指稱的定義與哲學(xué)中對(duì)抽象對(duì)象的本體論地位研究交織在一起天天日天天槽。

Finally it should be pointed out that re-examining the argumentation between the scientific realism and the antirealism, the new history wing represented by Shapere, leads the new historical principle to the scientific realism.

最后指出，重新審視科學(xué)實(shí)在論與反實(shí)在論之爭(zhēng)迷奸网站视频，正是以夏佩爾為代表的新歷史主義的一翼把新歷史主義的方向引向了科學(xué)實(shí)在論国产j精品系列。

Concerning this there has been a fierceargument between realism and antirealism since the 1970's. D.Davidson who is the leading exponent of realism advanced thetruth-condition semantics based on "truth", and M. Dummettrepresenting antirealism put forward the justification-condition semantics based upon "verification".

自70年代以來(lái)，以戴維森為代表的實(shí)在論和以達(dá)米特為代表的反實(shí)在論圍繞意義問(wèn)題展開(kāi)了激烈的爭(zhēng)論AAA在线观看免费视频国产片，前者提出了以真理概念為基礎(chǔ)的成真條件語(yǔ)義學(xué)理論91av视频免费在线观看，后者提出了以證實(shí)概念為基礎(chǔ)的辨明條件語(yǔ)義學(xué)理論久久99精品店。

Over a rather long time, the concept generally accepted by us meant the human art history witnessed the conflict between realism and antirealism, while our traditional Chinese "wenrenhua (painting of man-of-letters)" was judged by principles of popular Western realism.

采用別的方法，如用象征寓意的或抽象日本乱人一级在线、荒誕語(yǔ)言的藝術(shù)91自拍视频国产欧美，即使有現(xiàn)實(shí)的品格和精神，常常被歸入到別的主義里去超碰.com。20世紀(jì)以來(lái)日本按摩高潮A级中文片,，我們先后提倡過(guò)現(xiàn)實(shí)主義、革命的現(xiàn)實(shí)主義1024手机日韩看片你懂的、&革命現(xiàn)實(shí)主義與革命浪漫主義相結(jié)合&的方法三级毛视频。

Scientific Realism; Scientific antirealism; Shapere; Rational Realism

科學(xué)實(shí)在論；反科學(xué)實(shí)在論好爽又高潮了毛片A片；夏佩爾欧美熟妇XXXX性潮喷；理性實(shí)在論

Over a rather long time, the concept generally accepted by us meant the human art history witnessed the conflict between realism and antirealism, while our traditional Chinese "wenrenhua (painting of man-of-letters)" was judged by principles of popular Western realism.

當(dāng)時(shí)的藝術(shù)先驅(qū)們引進(jìn)歐洲油畫(huà)有兩個(gè)目的：讓它在中國(guó)這塊土壤上扎根、開(kāi)花亚洲黄色在线观看网站、結(jié)果国产操B在线，用這種語(yǔ)言來(lái)反映中國(guó)社會(huì)現(xiàn)實(shí)，推進(jìn)社會(huì)的進(jìn)步国产老色批在线观看视频，建立中國(guó)的油畫(huà)學(xué)派国产视频欧美视频；從西方寫(xiě)實(shí)的油畫(huà)藝術(shù)中吸收養(yǎng)料，以改良中國(guó)藝術(shù)亚洲白丝啪啪网。