The art of fiction, as Jane Austen knew it, declined from her through Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot, because the mania of romanticism had seized upon all Europe, and these great writers could not escape the taint of their time; but it has shown few signs of recovery in England, because English criticism, in the presence of the Continental masterpieces, has continued provincial and special and personal, and has expressed a love and a hate which had to do with the quality of the artist rather than the character of his work.

jane的小說技巧久爱黄色视频，在她之后就開始沒落了怡红院最新地址，Scott久久久久久无码精品， and Bulwer日本中文字幕在线视频二区， and Dickens， and Charlotte Bronte国产黄色导航， and Thackeray768av.com， and even George Eliot(這些都是Jane之后的作家，你可以在金山上查到詳細(xì)的資料)都沒怎么采用她的風(fēng)格女同免费一区二区，因?yàn)闅W洲人骨子里有著狂熱的浪漫主義欧美一级A一级a爱片牲交高清，而這些偉大的作家也沒有能夠擺脫他們時(shí)代的感染。在英國(guó)手机在线a视频，也沒有什么恢復(fù)的跡象久久性AV，面對(duì)著歐洲大陸上的偉大作品，英國(guó)的評(píng)論依然本土化国产真人一级做a片，特殊化午夜精品在线，個(gè)人化，他們對(duì)于作家表現(xiàn)出了強(qiáng)烈的愛亚洲欧美中文日韩另娄变态，憎亚洲免费黄色三级录像，而不是對(duì)于他們的作品人物。

This article chooses the most prevailing authors as object from France, Britain, Germany, and Russia, including Jean-Jacques Rousseau, the Sentimentalism in Britain, William Wordsworth, Thomas Hardy,"The Yellow Book" Writers＆Ernest Dowson, Johann Wolfgang von Goethe, the Romanticism in Germany, Theodor Storm, Rudolph lindau, Ivan Sergeyevich Turgenev. In order to expound content arising and influence from European literature, this article demonstrates Yu Da-fu's preference to them, the factual relationship between Yu Da-fu and their productions, the choosing and accepting for their creativity style, the representation of sentiment in his creativity, and the guidance to his aesthetics and creativity from European authors and creations……Meanwhile, it is indicated that Yu Da-fu's sentiment is not simply duplication of European literature, but had its unique characters.

對(duì)郁達(dá)夫創(chuàng)作的感傷風(fēng)格構(gòu)成影響的歐洲作家有很多在线直接看免费黄色网站，本文著重選取最為明顯的四國(guó)——法國(guó)欧美视频天堂在线观看、英國(guó)、德國(guó)與俄國(guó)的一些代表性作家作為論述對(duì)象啊疼轻点视频，包括盧梭禁止18周岁以下观看网站、英國(guó)感傷主義、華茲華斯免费福利黄视频、哈代A片在线观看视频免费网站、"黃面志"作家群及道森、歌德AV免费高清不卡在线看、德國(guó)浪漫派JIZZJIZZ18XXXX、施篤姆、林道国产一级精品婬片、屠格涅夫日a在线网址，論證了郁達(dá)夫?qū)λ麄兊钠珢郏暨_(dá)夫與他們的作品之間發(fā)生的事實(shí)聯(lián)系曰韩精品欧美精品，郁達(dá)夫?qū)λ麄兊膭?chuàng)作風(fēng)格的選擇和接受欧美性愤潮XXXX，郁達(dá)夫的感傷風(fēng)格在創(chuàng)作中的表現(xiàn)，歐洲作家作品如何指引郁達(dá)夫的審美與創(chuàng)作……由此得出本文的主要結(jié)論：郁達(dá)夫創(chuàng)作的感傷風(fēng)格深受歐洲文學(xué)的影響射视频网。

Firsdy, an analysis is made on how left-wing writers defined female ideology in their film making through ideological transformation of "modem" pop culture. Secondly, a conclusion is made that left-wing writers would take the subversion of the existing social system as a final solution to all social problems by exploring why "prostitute" subject prevailed at the then times and analyzing its historical evolving process and revealing the characteristics of prostitute being both exposer and salvation. In addition, the traditional effects on left-wing writers in terms of female are available in this chapter.

首先分析了左翼作家在電影創(chuàng)作中通過對(duì)"摩登"的流行文化意義的意識(shí)形態(tài)改造來(lái)完成對(duì)女性的意識(shí)形態(tài)規(guī)訓(xùn)過程在线观看精品黄片，之后，通過對(duì)"娼妓"題材在本時(shí)期流行原因的探索人人射人人操人人爽、同類題材的歷史演變過程的分析和左翼電影中娼妓作為暴露和拯救雙重承受者的身份這一特點(diǎn)的揭示在线你懂视频，得出了左翼作家將對(duì)現(xiàn)行社會(huì)制度的顛覆作為一切社會(huì)問題的最終解決方案的結(jié)論永久变态另类AV天堂，同時(shí)指出了左翼作家在婦女問題上所受的傳統(tǒng)的影響。

His literary idea is also embodied in his comments on classic writers. Pushkin and Gogol, generally believed to be realistic writers, are considered to be nonrealistic by Nabokov, who has established the reliable literary traditions for his creation.

納博科夫的文學(xué)觀念也反映在他對(duì)經(jīng)典作家的論述之中好爽好深好紧好高潮，通過將普希金99re国产在线精品最新66、果戈理等普遍認(rèn)為的現(xiàn)實(shí)主義作家解釋為非現(xiàn)實(shí)主義的作家，納博科夫?yàn)樗乃囆g(shù)創(chuàng)造確立了可以依賴的文學(xué)傳統(tǒng)在线观看的毛片网站。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

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The third century gives us (1) the Alexandrian writers of the catechetical school,(2) the writers of Asia Minor and (3) Palestine, and the first Western writers,(4) at Rome, Hippolytus, and Novatian,(5) the great African writers, and a few others.

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From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

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Ralph Ellison nimbly defends the blacks' humanity with his outstanding cultural vision, and his witty use of metaphors in language. He outdid the traditional literature focusing on moralistic propaganda by Mrs. Stowe, and the naturalistic protest fiction centering on hard boiled remonstration and violence by Richard Wright, firstly by speaking highly of the 191 century classic works by such white writers as Melville, Faulkner and Mark Twain, who showed humanistic spirit affirming the blacks' humanity, and secondly by making use of the highly symbolic arid subversive language both to represent negro's humanity and whites' inhumanity, and more importantly by probing into the universal human nature by alluding to the Riddle of the Sphinx, which demonstrates, in a broad sense, the author's humanistic concern for the living dilemma of the contemporary people and also his advocatory tendency to revive the humanistic spirit of the 19th century writers.

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Shimazaki Huzimura is a great writer who lived across the era of Meiji, Taisho, Showa . He is not only an important Romanticism poet but also a naturalist writer.

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In these chapters, we try to combine particular points with an entire area, and maintain close links with the writers'concrete writings, protrude the reprensentativeness and typicalness of the writers we have discussed.

在這幾章的具體論述中，本論文力求點(diǎn)面結(jié)合并密切聯(lián)系作家的具體文學(xué)創(chuàng)作久久久九色加勒比人妻，突出所論述作家在同類作家中的代表性與典型性。