Starting from his first student short The Tram , Kieslowski's dramatic films share a consistent set of motifs: the unattainability of love, the ironies of life, the vicissitudes of fate, the role of destiny and chance, feminine sensibility, and, most distinctive of all, the role of intuition as well as the depiction of seemingly random incidents from life that are unrelated to the story, like the old woman with the glass bottle that appears in The Decalogue and the Three Colours trilogy .

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You know I don't mind that when I dipped my chin to scoop the letter "A" from the bowl of soup yesterday the pompoms got soaked. You know I don't care that the red white green vest matches the Xmas tree we passed by at the shopping mall just now.

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