Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

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Li Rui's narratives of Cultural Revolution adopt neither a moralistic stance nor a posture of"refusing to regret"assumed by some intellectual youth. Rather, he offers a penetrating reflection of Cultural Revolution from the triple levels of mass ignorance and fervor, intellectual unreflectiveness, and the modern characteristics of revolutionary ideology. His narration of the complex observation, interrogation, denial, co-optation, and mythologization between intellectuals and the mass deepens the theme of alienation since May Fourth movement.

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It can disperse the haze of the depths of our hearts and ignorance, spread the knowledge of light and lofty, will lead us to the pinnacle of glory; that a classic literary masterpiece, the Ministry opened a fan of your mind the window, which allows you to understand that society, to understand the history, in the eloquent words, bring you a fresh figure to a soul's dialogue with thoughts and feelings at the same time upgrading; which readily Collected Works of miscellaneous books dapper frank, passionate, excited turbid Yang Qing, something happens and even caustic merciless, but embracing the philosophy, giving people with wisdom and truth, people Maosaidunkai; which Pianpian beautiful and passionate prose, astute, smooth and gratification, profound thinking and the brilliant vitality, it is taught us to capture life, so that we really understand the "Ren Zhiqing,""live meaning,""is reasonable in"; that contain thousands of song after another taste of the poem, let us read a romantic nature and Yun Li, read out of life with poetic grace, love and intellect, free and easy and indifferent to, the most unusual is that we read out the poem Painting in the Painting realize the true meaning of life and life's wonderful!

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Among these halls, the "Buddha Hall" demonstrates the artist's attempt most directly. In the Orient, artworks regarding religious themes usually will be presented with perfection and heavenliness, but such characteristics are not seen in Liu Dahong's work at all. Instead, the artist has calculatedly created chaos by placing parallel elements in his painting. Images of the frequently waged crusades in the history of the West, the horrifying witchcraft and the rigid statues of westerners have changed the Tibetan Buddha hall into a theater of the absurd. In the center an innocent girl struggling to get away from the stake is the most dramatic spectacle, and the giant, puppet-like Buddha along the people standing or sitting around constitute the scene of trial. In the backdrop, the landscapes and atrocities of wars often seen in western religious paintings are a keen contradiction to the people piously praying in the front. Their belief looks so hopeless.

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Although ignorant and wicked men receive the outward elements in this ordinance, yet they receive not the thing signified by it; but by their unworthy coming to it are guilty of the body and blood of the Lord, to their own damnation.Therefore all ignorant and ungodly persons, as they are unfit to enjoy communion with him, so are they unworthy of the Lord's table, and cannot, without great sin against Christ, while they remain such, partake of these holy mysteries, 1Co 11:27-29 2Co 6:14-16 or be admitted to it.

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Birth and death are always the cause of suffering and there are no Eternal, Bliss, Self, and the Pure, 8 it is not possible to segregate oneself from the eight inopportune situations, 9 one is always pursued by enmity, 10 there is not one dharma that can shake off all things that exist, 11 one is not emancipated from the three unfortunate realms, 12 various twisted views accompany one, 13 no boat is on hand to pass one across the waters of the five deadly sins, 14 birth and death go on endlessly and no limit to this is gained, 15 when no karma is performed, there is no result to follow, 16 no fruition comes about to others for what one has oneself done, 17 without the cause of bliss, there cannot be the result of bliss, 18 once the seed of karma is sown, the result will not be lost, 19 ignorance calls forth life and by it one dies, 20 what one has over the three times of past, present and future is indolence.

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