Farther, this chapter tries to hold a dialogue between the native and the West on a new level of Sino-western mutual understanding, thus, the chapter, with the basic idea of"comparison equals dialogue", launches a discussion focusing on four features: the widely-ranged introduction from anti-alienation spirit, modern humanitarianism and individualism in Western modern art to the anti-Confucianism in Chinese cultural tradition; the seek for the essence of Western modern abstractionist art in Chinese traditional intellectual art atmosphere; the decoding of Western modern non-rationalism based on native cultural tradition; and the discussion on relations between"The Harmony Between Heaven and Man"and Western postmodernism.

于是本章基于"比較即對話"的觀念在线视频黄片免费观看，圍繞四個問題展開了討論：從西方現(xiàn)代藝術(shù)的反異化精神国产精品纯粹一区二区怡红院、現(xiàn)代人道主義黄片免费国产黄片免费国产黄片、個人主義說到中國的"反儒文化"傳統(tǒng)国产伊人A；在中國傳統(tǒng)文人藝術(shù)境界中尋找西方現(xiàn)代抽象藝術(shù)的真諦午夜操逼网站；對西方現(xiàn)代非理性主義進行基于本土文化傳統(tǒng)的解讀；探討天人合一精神與西方后現(xiàn)代主義的聯(lián)系亚洲黄网在线观看视频。

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事實上，當我們想認真的討論"現(xiàn)代性"時一级3AAA片，就會發(fā)現(xiàn)這一問題在中國有著極其尷尬的處境级婬片A片AAA毛片Mⅴ，且不談社會學角度，從視覺藝術(shù)這個很小的角度切入在线视频一区二区三区三区不卡，將西方藝術(shù)帶入中國本土的老一代藝術(shù)家們帶來的其實是西方學院派的藝術(shù)2020国产91精品对白露脸，是西方古典藝術(shù)的尾巴或被革命現(xiàn)實主義化了的西方古典藝術(shù)精品视频在线一区二区，而被帶入中國本土后卻被稱為"現(xiàn)代藝術(shù)"，直至今日當代藝術(shù)在西方的學理支撐到了中國本土變成了被斷章取義的只言片語日本激情小说视频，這其間"錯位"一直存在著人人插人人爱人人操，或許這是一種有創(chuàng)造性的誤讀，但誤讀的主體是否具有獨立消化能力的系統(tǒng)值得商榷免费色三级域名。

Early introduction of Western painting, has started over 300 years ago, the main channels: first, the missionaries brought a copy of Western painting; Second, the Western artists to China to teach Western painting techniques; Third, with the advertising and mass merchandise into our country's cigarette brands, brand cloth, cake box above picture of the ocean, photographic film set of King; the establishment of four new art education; Fifth, a limited number of students.

西方繪畫傳入很早九九色在线，三百多年前已經(jīng)開始，其主要渠道有：一是傳教士帶來的西方繪畫的復制品9l视频；二是西方畫家到中國傳授西方繪畫技法免费观看AV免费观看AV；三是隨商品廣告而傳入我國的香煙牌子、布牌子亚洲五月综合、糕點盒子上面的洋畫片国产自在、照相布景的景片；四是新興辦的美術(shù)教育欧美老熟妇A片在线播放；五是數(shù)量有限的留學生日韩一区观看视频。

Westerner emphasize ethics value with ontology, epistemology relative meaning, it's the congenital defect of" value question" when western traditional philosophy thinking; Though among China traditional philosophies, originated places to embody, but, going with enervation trend of traditional culture and the impacts of western culture, especially, affected by Russian textbook of Marxism, we do not only realize the value natural instinct of China"s traditional philosophy as consciously, and philosophy is studied and comes from the west to think" value question" instead, even in order to coming and study people"s" value problem" western traditional the thinking frames. This is what cause contemporary people and historical origin of the double predicament of philosophy, also is the realism meaning of the animadvert on the present philosophy view.

西方人在與本體論、認識論相對的意義上強調(diào)倫理價值，這是西方傳統(tǒng)哲學思考"價值問題"的先天性缺陷黄色网址A片免费观看；雖然在中國傳統(tǒng)哲學中色黄乱婬伦免费网站，起始處就是體現(xiàn)為以"內(nèi)求諸己"的方式把握人"生命之道"的價值性的思想，但由于近代以來伴隨傳統(tǒng)文化的衰弱趨勢和西方文化的沖擊日韩午夜无码视频网址大全，使我們一味效仿西方哲學的范式去研究哲學日本网站在线视频大全观看免费，尤其是受前蘇聯(lián)馬克思主義教科書體系的影響，我們非但沒有自覺意識到中國傳統(tǒng)哲學的"價值問題"指向欧美熟妇性XXXX交潮喷免费看，反而認為對"價值問題"的哲學研究源于西方插a片，甚至在被馬克思終結(jié)了的西方傳統(tǒng)形而上學的思維框架中來研究人的"價值問題"，這是造成當代人與哲學雙重生存困境的歷史根源看真人视频一级免费毛片，亦是當代哲學觀批判的現(xiàn)實意義老熟妇乱子A片免费。

This has deeply influenced the western academia and news field, they judge China in many different ways and they have different emotions, China and the west need to get adapted to each other, which requires a long period full of resistance, adjustment and tensity.

自從向西方開放以來，中國一直被西方看作是一個令人困惑的民族咬美女奶子舔她的逼视频，神秘和深奧超乎西方想象av九一，這給西方的學術(shù)界和新聞界帶來深刻影響，他們對中國的判斷十分復雜亚洲欧美另类在线专区，充滿各種情緒人人澡人人看人人添百度，中國和西方需要彼此適應，這要有一個較長的時期AAAAA黄片免费观看，其間充滿抗爭人人玩人人射、調(diào)整和緊張。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文從對西方文藝傳統(tǒng)中的"表現(xiàn)"觀念的歷史考察著手我要看中国黄色网站黄a片，歸納出西方現(xiàn)代"表現(xiàn)"觀念的核心內(nèi)涵欧美巨大黑人精品videos，以此為基點來逐步分析西方現(xiàn)代造型藝術(shù)史，進而將西方現(xiàn)代造型藝術(shù)的產(chǎn)生與發(fā)展歸結(jié)為在"表現(xiàn)"觀念驅(qū)動下不斷遞進的歷史進程：印象主義對感覺真實的追求為造型藝術(shù)由再現(xiàn)走向表現(xiàn)打開了缺口久久A级免费播放；野獸派在繼承和批判后印象主義的基礎上首次實現(xiàn)了表現(xiàn)的自覺自拍日韩葡萄影院在线观看视频，并在藝術(shù)中反抗物象對表現(xiàn)的壓迫；德國表現(xiàn)主義與超現(xiàn)實主義以不徹底的"否定性物象"來張揚表現(xiàn)反抗物象国内自拍日韩免费观看；至上主義91综合久久婷婷久久、風格派等則在立體主義的啟示下走向完全排斥物象的純粹造型，在造型的范圍內(nèi)實現(xiàn)徹底的表現(xiàn)亚洲欧美一区二区；二戰(zhàn)后的西方藝術(shù)家們察覺到純粹造型已經(jīng)掉轉(zhuǎn)頭來形成新的對表現(xiàn)的壓制免费Av青草网站；經(jīng)由抽象表現(xiàn)主義、最低限藝術(shù)国产国语对白丝袜美女A片，表現(xiàn)逐步擺脫了純粹造型，尋求造型之外的新的表現(xiàn)可能特黄捆绑一级A片。

The writer however never explains who constructed this problem and the perpetrators behind it...western ideas, western lifestyles, western eating habits, western industrial models, western agricultural models, western commerce model ...western culture, encroaching like cancer cells on China. It is a pity that even the West has already swallowed its own bitter fruit, and also knew what the problems were, yet, many have come to China with a drive of profit, practice cheatingly those business conducts which are even banned in their own countries. The situation is just like the illegal opium trade about 200 years ago. It has caused China a new poisonous addition.

但作者并沒有說明制造這個問題的幕后黑手…西方的思維色综合16p、西方的生活方式、西方的飲食習慣人干人人干在线视频、西方的工業(yè)模式欧美一级久久真人浪潮、西方的農(nóng)業(yè)模式欧美高清在线视频看片在线观看免费、西方的商業(yè)模式…西方文化如癌細胞似的在侵害著中國；可恨的是西方已償?shù)娇喙从从笆踊兀嘀獑栴}所在a片在线观看哟哟哟，很多甚至在其國家被禁的行為，但在利益推使下都跑來中國456小视频，或哄或騙的在中國發(fā)展起來69免费视频，有如二百年前的鴉片一樣，令中國中毒上癮日韩手机福利写真在线观看。

Western scientists have for the most part been culture blind to the ways in which their science and they themselves have been occidentalized, and doubly blind to how the occidentalisms infecting science have been shaped by the West's role in world political economy, and the political economy of the West 'itself'.

西方的科學家已經(jīng)在絕大部分程度上對科學以及他們自己西方化的方式中的文化視而不見日本三级欧美三级人妇视频，更是雙重地對受到西方論感染的科學是如何被西方在世界政治經(jīng)濟體系中的角色，以及西方自身的政治經(jīng)濟角色所塑造污污色色，視而不見视色4se。

The Disseminating of western aesthetical trend in China originated from the spreading of culture by the priests; developed by Chinese intellectuals' initiative translation of western psychology, educational psychology and philosophy; thrived by Chinese intellectuals' great translation of the outstanding aesthetes' ideal and wrote aesthetical books by themselves.

西方美學思想在近現(xiàn)代中國的譯介始于西方傳教士的向中國傳播西方文化的活動，發(fā)展于中國知識者對西方心理學色影音、教育學5566综合网、哲學思想的主動譯介，興盛于中國知識界大量而系統(tǒng)地譯介著名西方美學家的美學思想国产在线.c，以及中國美學家寫出的一系列自成理論體系的美學論著三级黄色视屏。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文從對西方文藝傳統(tǒng)中的&表現(xiàn)&觀念的歷史考察著手，歸納出西方現(xiàn)代&表現(xiàn)&觀念的核心內(nèi)涵欧美18xxoo，以此為基點來逐步分析西方現(xiàn)代造型藝術(shù)史www.baoru.com，進而將西方現(xiàn)代造型藝術(shù)的產(chǎn)生與發(fā)展歸結(jié)為在&表現(xiàn)&觀念驅(qū)動下不斷遞進的歷史進程：印象主義對感覺真實的追求為造型藝術(shù)由再現(xiàn)走向表現(xiàn)打開了缺口；野獸派在繼承和批判后印象主義的基礎上首次實現(xiàn)了表現(xiàn)的自覺黄色网站大全入口，并在藝術(shù)中反抗物象對表現(xiàn)的壓迫亚洲色久悠悠A∨明星换脸；德國表現(xiàn)主義與超現(xiàn)實主義以不徹底的&否定性物象&來張揚表現(xiàn)反抗物象；至上主義天天摸人人操人人爱、風格派等則在立體主義的啟示下走向完全排斥物象的純粹造型又粗又大特黄片，在造型的范圍內(nèi)實現(xiàn)徹底的表現(xiàn)；二戰(zhàn)后的西方藝術(shù)家們察覺到純粹造型已經(jīng)掉轉(zhuǎn)頭來形成新的對表現(xiàn)的壓制附近那有黄色A片；經(jīng)由抽象表現(xiàn)主義天天色综合av、最低限藝術(shù)，表現(xiàn)逐步擺脫了純粹造型色欲又色又爽一二三在线视频观看，尋求造型之外的新的表現(xiàn)可能国产精品永久免费自在线观看。