Allard Pierson Museum is the archaeological museum of the University of Amsterdam46; The ancient civilisations of ancient Egypt, the Near East, the Greek World, Etruria and the Roman Empire are revived in this museum46; Art-objects and utensils, dating from 4000 B46;C46; till 500 A46;D46; give a good impression of everyday-life, mythology and religion in Antiquity46; There are also several scale models of ancient temples and buildings46; In the ancient Egypt department there is a room dedicated to death with mummies, sarcophagi and a film showing the process of mummification46; Our so-called plaster-cast-attic, only to be visited with a guided tour, shows copies of world-famous Roman and Greek statues46

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Anyway I feel that the harp is the most poetic musical instrument: it has a smooth and undulate shape, best being played by a woman in a white embroidered hellenic gown with a tight sash, showing her concinnity and charming figure, with her hair in a high knot,and wearing no jewelry but asandalwood bracelet. Her mistlike azure blue eyes droop down; her typical Grecian nose and thin curving lips are kissable andher face is as sharp as a statuary with a light smile; her nicety long fingers pluck the strings elegantly, from which music flows out, sparkling and harmonic. Maybe she is the Psyche who stepped out of the Anderson's fairytales, even we can see her translucent wings flapping with the rhythm in the air.

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The ambience of the city is ornate and frothy: white horses dancing to elegant music; snow dusting the opulent draperies of Empress Maria Theresa's monument; lavish decorations filling the interior courtyards of outwardly severe town houses; a gilded Johann Strauss among a grove of green trees; the voluptuous music of Richard Strauss; the geometric impasto of Klimt's paintings; the stately pavane of a mechanical clock.

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Designed by the distinguished architectural firm of Cram, Goodhue and Ferguson and completed in , Saint Thomas Church is built in the French High Gothic style, with stone ornamentation of the later Flamboyant period in the windows, small arches of the triforium, and stonework surrounding the statuary in the reredos. The flat wall behind the altar is characteristic of English cathedrals, and the magnificent reredos, one of the largest in the world, is strongly suggestive of the single, massive windows that terminate終止 the naves of many English churches designed in the Perpendicular style.

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Philosophers of the tradition, to the degree that they had thought about art at all, thought chiefly about the art of their own time: Plato, about the illusionistic sculptures of his contemporaries; Kant, about the tasteful objects of the Enlightenment; Nietzsche, about Wagnerian opera; the Wittgensteinians, about the extraordinary proliferation of styles in the twentieth century, when a whole period of art history appeared to last about six months.

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The grim malachite statues, an honor guard of six, flanked a huge, heavy chair that seemed entirely carved from yellowing ivory, the chair arms knobbed and knuckled, the back capped with a huge, many-toothed, serpentine skull whose eyes were pools of shadow.

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The grim malachite statues, an honor guard of six, flanked a huge, heavy chair that seemed entirely carved from yellowing ivory, the chair arms knobbed and knuckled, the back capped with a huge, many-toothed, serpentine skull whose eyes were pools of shadow.

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In another set of works of the same series《Chairman》, Mao's statue on a pedestal assumes exactly the same waving posture. This posture is a classic image of Mao in the Nation's visual memory - as though he still stood on the Tiananmen Tower, proclaiming the establishment of People's Republic of China, or receiving thousands of red guards during the Cultural Revolution. But the artist tries to plot a difference in this iconic gesture. Mao's palm is painted in the shape of a hand gun. By doing so, he also instils a sense of violence in a solemn and imposing spiritual symbol. The replaced gesture evokes different kinds of historical memories - memories of civil war, memories of class struggles, as well as memories of total destruction.

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You have never traveled far and yet All the adjectives are returning from your present time To their origins of nouns You are now not like anything else, but you are a thing itself Black and white, and at most grey with few shades The sharp edges of your shape are rounded It is winter now, and when the exuberant grows thin You are clad in puffiness, exempted from overt movements Reclining into a posture with no rococo clothes, you do not Expect the world in one color to detect The snowmelt streamlets trickling on your body Some life has to be off twice before it is recognized First it dies, and then it is dead, as if it turns away and disappears But now you've come back to it, simply forever

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The absence of the stigmata, halo, and title of saint in this fresco form its chief claim to be considered a contemporary picture; it is not, however, a real portrait in the modern sense of the word, and we are dependent for the traditional presentment of Francis rather on artists' ideals, like the Della Robbia statue at the Porziuncola, which is surely the saint's vera effigies, as no Byzantine so-called portrait can ever be, and the graphic description of Francis given by Celano Vita Prima, c.

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